Skip to main content

Strategies for the Control of Microsound Synthesis Within the “GMU” Project

  • Conference paper
  • 647 Accesses

Part of the book series: Lecture Notes in Computer Science ((LNISA,volume 3902))

Abstract

Sound synthesis using granular (or micro-sonic) techniques offers very attractive possibilities for creating musical sounds. We present a state of the researches conducted at GMEM for an integrated microsound synthesis system. This system includes at once synthesis generators and synthesis control programs, both gestures and sound analysis based control.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Barrière, J.-B., Potard, Y., Rodet, X.: CHANT: de la synthèse de la voix chantée à la synthèse en général, vol. 35. Ircam publication, Ircam, Paris (1985)

    Google Scholar 

  2. Bascou, C., Pottier, L.: New Sound Decomposition Method applied to Granular Synthesis. In: ICMC Proceedings, Barcelone, September 2005 (to be published)

    Google Scholar 

  3. Gribonval, R., Bacry, E., Mallat, S., Depalle, P., Rodet, X.: Sound signal decomposition using a high resolution matching pursuit. In: Proceedings of ICMC 1996, Clear Water Bay, HongKong (1996)

    Google Scholar 

  4. Hodes, T., Hauser, J., Wawrzynek, J., Freed, A., Wessel, D.: A Fixed-Point Recursive Digital Oscillator for Additive Synthesis of Audio. In: Proceedings of the IEEE International Conference on Acoustics, Speech, and Signal Processing, March 15-19, 1999, pp. 993–996 (1999)

    Google Scholar 

  5. Morrill, D.: Trumpet algorithms for computer composition. Computer Music Journal 1(1), 46–52 (1977)

    Google Scholar 

  6. Murail, T.: Spectres et Lutins. La Revue Musicale, special L’itinéraire, dir. D. Cohen-Levinas, Paris 421-422-423-424, 309–322 (1991)

    Google Scholar 

  7. Pottier, L.: Analyse Iana - Synthèse sonore avec Csound - Contrôle avec PatchWork. In: Proceedings of the Journées d’Informatique Musicale (JIM 1994), Bordeaux, pp. 74–82 (1994)

    Google Scholar 

  8. Pottier, L.: Dynamical spatialization of sound. HOLOPHON: a graphic and algorithmic editor for Sigma1. In: Dafx 1998 Proceedings, Barcelone (1998)

    Google Scholar 

  9. Pottier, L.: Contrôle interactif d’une voix chantée de synthèse. In: Genevois, H., de Vivo, R. (eds.) Les nouveaux gestes de la musique, Parenthèses, Marseille, pp. 175–180 (1999)

    Google Scholar 

  10. Pottier, L.: Le contrôle gestuel de la synthèse sonore par capteurs video. In: Barbanti, R., Lynch, E., Pardo, C., Solomos, M. (eds.) Musiques, Arts, Technologies - Pour une approche critique, L’Harmattan, Paris (2004)

    Google Scholar 

  11. Pottier, L.: “GMU” - An Integrated Microsound Synthesis System. In: Wiil, U.K. (ed.) CMMR 2003. LNCS, vol. 2771, pp. 82–88. Springer, Heidelberg (2004)

    Chapter  Google Scholar 

  12. Roads, C.: Microsound. MIT Press, Cambridge, Massachusetts (2002)

    Google Scholar 

  13. Iturbide, M.R., Eckel, G.: GIST, a granular synthesis toolkit based on an extension of the FOF generator. Ircam documentation, Paris (1995)

    Google Scholar 

  14. Rodet, X.: Time-Domain Formant-Wave-Function Synthesis. In: Simon, J.G., Reibel, D. (eds.) Spoken Language Generation and Understanding (1980); reprinted Computer Music Journal 8(3), 9–14 (1984)

    Google Scholar 

  15. Iwatake, T.: Interview with Barry Truax. Computer Music Journal 18(3), 17–24 (1994)

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2006 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Pottier, L. (2006). Strategies for the Control of Microsound Synthesis Within the “GMU” Project. In: Kronland-Martinet, R., Voinier, T., Ystad, S. (eds) Computer Music Modeling and Retrieval. CMMR 2005. Lecture Notes in Computer Science, vol 3902. Springer, Berlin, Heidelberg. https://doi.org/10.1007/11751069_10

Download citation

  • DOI: https://doi.org/10.1007/11751069_10

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-34027-0

  • Online ISBN: 978-3-540-34028-7

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics