Skip to main content

Mimetic Development of Intonation

  • Conference paper
  • First Online:
Music and Artificial Intelligence (ICMAI 2002)

Part of the book series: Lecture Notes in Computer Science ((LNAI,volume 2445))

Included in the following conference series:

Abstract

This paper presents a simulation where a society of autonomous agents evolves a common repertoire of intonations from scratch by interacting with one another. We demonstrate by means of an example the role of social bonding for the evolution of intonation in a virtual society of simple agents furnished with a vocal synthesiser, a hearing apparatus and a simple brain capable of associating auditory information to motor control (in this case in terms of vocal synthesis control). We begin the paper with a succinct commentary on the motivation for this research, our objectives and the methodology for its realisation. Then we state the objective of the particular simulation introduced in this paper, followed by an explanation of its design and functioning, and an assessment of its results. The paper concludes with a short discussion on the importance of this research for music and its contribution to the advancement of Artificial Intelligence.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Balaban, M., Ebcioglu, K. and Laske, O. (Eds.) (1992). Understanding Music with AI: Perspectives on Music Cognition. Cambridge, MA: The MIT Press.

    Google Scholar 

  • Boer, B. de (2000). Emergence of vowel systems through self-organisation. AI Communications, 13, 27–39.

    Google Scholar 

  • Dahlstedt, P. and Nordhal, M. G. (2001). Living Melodies: Coevolution of Sonic Communication. Leonardo, 34:3, 243–248.

    Article  Google Scholar 

  • Miranda, E. R. (Ed.) (2000). Readings in Music and Artificial Intelligence. Amsterdam, The Netherlands: Harwood Academic Publishers.

    Google Scholar 

  • Miranda, E. R. (2001). Synthesising Prosody with Variable Resolution. AES Convention Paper 5332. New York, NY: Audio Engineering Society, Inc.

    Google Scholar 

  • Miranda, E. R. (2002). Computer Sound Design: Synthesis Techniques and Programming. Oxford, UK: Focal Press. (2nd edition)

    Google Scholar 

  • Mitchell, T. M., Machine Learning. New York, NY: McGraw Hill.

    Google Scholar 

  • Nadel, J. and Butterworth, G. (Eds.) (1999). Imitation in Infancy. Cambridge, UK: Cambridge University Press.

    Google Scholar 

  • Steels, L. (1997). The Synthetic Modelling of Language Origins. Evolution of Communication Journal, 1:1, 1–34.

    Google Scholar 

  • Thomas, D. A. (1995). Music and the origins of language. Cambridge, UK: Cambridge University Press.

    Google Scholar 

  • Todd, P. M. (2000). Simulating the evolution of musical behavior. In N. Wallin, B. Merker and S. Brown (Eds.), The origins of music. Cambridge, MA: MIT Press.

    Google Scholar 

  • Todd, P. M. and Werner, G. M. (1999). Frankensteinian Methods for Evolutionary Music Composition. In N. Griffith and P. M. Todd (Eds.), Musical networks: Parallel distributed perception and performance (pp. 313–339). Cambridge, MA: The MIT Press/Bradford Books.

    Google Scholar 

  • Trevarthen, C., Kokkinaki, T. and Fiamenghi Jr., G., A. (1999). What infants’ imitations communicate: with mothers, with fathers and with peers. In J. Nadel and G. Butterworth (Eds.), Imitation in Infancy (pp. 127–174). Cambridge, UK: Cambridge University Press.

    Google Scholar 

  • Wallin, N. J., Merker, B. and Brown, S. (Eds.) (2000). The Origins of Music. Cambridge, MA: The MIT Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2002 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Miranda, E.R. (2002). Mimetic Development of Intonation. In: Anagnostopoulou, C., Ferrand, M., Smaill, A. (eds) Music and Artificial Intelligence. ICMAI 2002. Lecture Notes in Computer Science(), vol 2445. Springer, Berlin, Heidelberg. https://doi.org/10.1007/3-540-45722-4_11

Download citation

  • DOI: https://doi.org/10.1007/3-540-45722-4_11

  • Published:

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-44145-8

  • Online ISBN: 978-3-540-45722-0

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics