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A Proposal of Generating Artistic Japanese Calligraphic Fonts

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Advanced Topics in Artificial Intelligence (AI 1999)

Part of the book series: Lecture Notes in Computer Science ((LNAI,volume 1747))

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Abstract

The purpose of this paper is to show a proposal of generating artistic calligraphic fonts. Japanese calligraphic art is to write brush characters by using a writing brush and black ink. Also, it is very popular art in Japan, China and so on. Needless to say, the brush characters are hand writing characters. The artists’ pen (brush) pressure, pen speed, and ink quantity are very important factors for the artistic effect. A calligraphic character consists of several brush strokes. In Japanese calligraphic art, the artistic effect appears in the compositions, which are the position of each brush stroke and the stroke shape itself, but here we limit the discussion to scratched and blurred look of calligraphic characters.

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References

  • Hil69. C.J. Hilditch. Linear skeleton from square cupboards. Machine Intelligence 6, pages 403–420, 1969.

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  • NESI98. T. Nakamura, H. Enowaki, H. Seki, and H. Itoh. Skeleton revision algorithm using maximal circles. In 14th International Conference on Pattern Recognition (ICPR’98), pages 330–335, 1998.

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© 1999 Springer-Verlag Berlin Heidelberg

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Nakamura, T., He, L., Itoh, H. (1999). A Proposal of Generating Artistic Japanese Calligraphic Fonts. In: Foo, N. (eds) Advanced Topics in Artificial Intelligence. AI 1999. Lecture Notes in Computer Science(), vol 1747. Springer, Berlin, Heidelberg. https://doi.org/10.1007/3-540-46695-9_51

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  • DOI: https://doi.org/10.1007/3-540-46695-9_51

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-540-66822-0

  • Online ISBN: 978-3-540-46695-6

  • eBook Packages: Springer Book Archive

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