Abstract
In this chapter, we explore whether brain-computer interface (BCI) applications can embody the elusiveness of human connectedness. Concretely, we discuss a series of art/neuroscience works that track and visualize the extent to which brainwaves and physiological responses become synchronized between people and their environment. From a neuroscientific point of view, we ask whether such synchrony is ‘meaningful’, i.e., do these data streams (brainwaves, heart rate, movement) tell us something about how connected we feel to each other (“when we feel in sync with someone, are our brainwaves literally on the same wavelength?”). From an artistic, experiential point of view, we ask whether these works can raise critical questions about our often unsatisfactory quest to connect to ourselves and each other: via face-to-face interactions, scientific inquiry, tech-based communication tools, big data; about the exclusionary nature of groups, both in the real and virtual world. Finally, do the works stands on their own—independent of such research questions—as immersive, interactive aesthetic experiences, allowing visitors to gauge and explore their own interactions in a visceral, intuitive way?
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Notes
- 1.
Pre-choreographic Elements refer to the pre-phase of choreography, where the movement material is being created, shaped and tested. They are not yet part of the selection and ordering process of choreography The pre-choreographic elements are the roots of choreographic statements and constitute the conditions from which the choreographic elements can emerge. A selection of 20 pre-choreographic elements has been identified through dance notation research and is currently being investigated with regard to their generative potential in movement language creation.
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Acknowledgements
Dikker and Oostrik’s work is supported by Stichting Niemeijer Fonds, The Netherlands Organization for Scientific Research (VENI grant 275-89-018), Creative Industries Fund NL, TodaysArt, MAI, de Hersenstichting, Lowlands Science, Utrecht University, NEON. Montgomery’s work is supported by: ISEA, Science Gallery at Trinity College Dublin, Harvestworks, National Endowment for the Arts, Rockefeller Foundation, Daejeon Museum of Art, Center for Life, RIXC Art Science Festival, OUTPOST Artist Resources, Ende Tymes Festival.
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Dikker, S., Montgomery, S., Tunca, S. (2019). Using Synchrony-Based Neurofeedback in Search of Human Connectedness. In: Nijholt, A. (eds) Brain Art. Springer, Cham. https://doi.org/10.1007/978-3-030-14323-7_6
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