Abstract
This article discusses the interaction between the public and the Digital Museum, using as a case study the Museum of Tomorrow [Museu do Amanhã], in the city of Rio de Janeiro, Brazil. The study is based on the use of hashtag and its marking in social networks, making an analysis of the specific places, conceived in design, for the practice of selfies and later publication and marking. The study presents a typical relation of contemporary societies and their relationship with museum and technology, raising the possibility of construction and/or reconstruction of totally digital spaces earmarked for the exhibition of art and history.
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Notes
- 1.
The text of Rosalind Krauss was originally published in September 1990, as read in the meeting of the International Association of Museums of Modern Art (CIMAM) in Los Angeles, and Groys text in 2014.
- 2.
The Roberto Marinho Foundation is a foundation linked to the largest network of telecommunications of Brazil, the Globo Group, owner of printed and digital newspapers, and also the television network with the largest audience in the country.
- 3.
The management of the Museum, since its construction, is classified as a public-private partnership, and their managers and sponsors can be found in the electronic address: https://museudoamanha.org.br/. Accessed March 01, 2019.
- 4.
The full description is available at: https://museudoamanha.org.br/pt-br/sobre-o-museu.
- 5.
The above transcribed phrase, as well as other descriptions of Calatrava himself, can be read in full at the electronic address: https://museudoamanha.org.br/pt-br/content/arquitetura-de-santiago-calatrava.
References
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Biancardi Filho, C., Arantes, P. (2019). The Interaction of the Public with the Show Museum: A Case Study About the Museum of Tomorrow. In: Stephanidis, C. (eds) HCI International 2019 - Posters. HCII 2019. Communications in Computer and Information Science, vol 1034. Springer, Cham. https://doi.org/10.1007/978-3-030-23525-3_74
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