Abstract
The present study aims to study the non-material heritage – Chinese ballad song lyrics (Hua’er) – from the perspective of frequency distribution and the inner structure of the content words as well as the rhymed morphemes. The results yield, first of all, that the rank-frequency of both vocabularies and phonemes in Chinese prosody words can be well captured by the right-truncated modified Zipf-Alekseev distribution. Second, the autosemantics of Hua’er vividly depict the local customs and practices of Northwest China. Third, the two most frequently used Chinese compound finals are /an/ and /ɑŋ/. Apart from qualitative analysis, our quantitative study on the content words and phonemes also provides new insight into the field of heritage folk literature.
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Acknowledgements
This work was partially funded by the National Social Science Project of China entitled “The Construction of Chinese Folk Song Database and Quantitative Research from the Perspective of Chinese National Community” (Project code: 22BYY084), and Ningxia Philosophy and Social Sciences Planning Project entitled “A Comparative Perspective on the Digital Construction of Hua’er and Language Ecology in the Yellow River Cultural Inheritance Area” (Project code: 21NXBYY02).
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Zhang, X., Dai, Z. (2023). Frequency in Chinese Ballad Song Lyrics: A Quantitative Morpheme-Based Study. In: Su, Q., Xu, G., Yang, X. (eds) Chinese Lexical Semantics. CLSW 2022. Lecture Notes in Computer Science(), vol 13496. Springer, Cham. https://doi.org/10.1007/978-3-031-28956-9_7
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