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What Do Remote Music Performances Lack?

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Book cover Collaboration Technologies and Social Computing (CollabTech 2017)

Part of the book series: Lecture Notes in Computer Science ((LNTCS,volume 10397))

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Abstract

Our research interest is in supporting live music performances for remote audiences. Using the Evaluation Grid Method (EGM), we have analyzed why music audiences prefer live shows to recorded media and have found that a sense of unity is one of the important factors. It can be at least partly reproduced at the remote site by sharing information on audiences’ reactions.

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Notes

  1. 1.

    We did not find any gender differences in their evaluation, at least in this group of participants.

References

  1. Morino, Y., Miyazaki, K., Tarumi, H., Ichino, J.: Comparison of input methods for remote audiences of live music performances. In: Yoshino, T., Chen, G.-D., Zurita, G., Yuizono, T., Inoue, T., Baloian, N. (eds.) CollabTech 2016. CCIS, vol. 647, pp. 58–64. Springer, Singapore (2016). doi:10.1007/978-981-10-2618-8_5

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  2. Tarumi, H., Akazawa, K., Ono, M., Kagawa, E., Hayashi, T., Yaegashi, R.: Awareness support for remote music performance. In: Nijholt, A., Romão, T., Reidsma, D. (eds.) ACE 2012. LNCS, vol. 7624, pp. 573–576. Springer, Heidelberg (2012). doi:10.1007/978-3-642-34292-9_62

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Acknowledgments

This work was supported by KAKENHI (15K00274).

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Correspondence to Hiroyuki Tarumi .

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Tarumi, H., Nakai, T., Miyazaki, K., Yamashita, D., Takasaki, Y. (2017). What Do Remote Music Performances Lack?. In: Yoshino, T., Yuizono, T., Zurita, G., Vassileva, J. (eds) Collaboration Technologies and Social Computing. CollabTech 2017. Lecture Notes in Computer Science(), vol 10397. Springer, Cham. https://doi.org/10.1007/978-3-319-63088-5_2

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  • DOI: https://doi.org/10.1007/978-3-319-63088-5_2

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  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-63087-8

  • Online ISBN: 978-3-319-63088-5

  • eBook Packages: Computer ScienceComputer Science (R0)

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