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The red and black semantics: a fuzzy language

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Abstract

The complexity of abstract art languages create new semantics in art. This model tries to implement its conceptual language within creating a new virtual environment. The gap between art and technology has been approached with a fuzzy logic engine which uses a red and black semantic codification. The examples include the application of this metalanguage to a virtual artwork experimentation.

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Authors and Affiliations

  1. Faculty of Industrial Design, INDACO Dept., Politecnico di Milano University, Via Durando 38/A, 20158, Milano, Italy

    Gianluca Mura

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  1. Gianluca Mura
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Correspondence to Gianluca Mura.

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Mura, G. The red and black semantics: a fuzzy language. Visual Comput 23, 359–368 (2007). https://doi.org/10.1007/s00371-007-0111-1

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  • DOI: https://doi.org/10.1007/s00371-007-0111-1

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