Elsevier

Computers & Graphics

Volume 37, Issue 5, August 2013, Pages A5-A6
Computers & Graphics

Introduction
Foreword to the special section on expressive graphics

https://doi.org/10.1016/j.cag.2013.02.007Get rights and content

Section snippets

Peter Hall is Reader in Computer Vision and Computer Graphics at the University of Bath, where he is also the director of the Media Technology Research Centre. His research interests cover non-photorealistic rendering from photographs and video, classification of visual objects regardless of how the object is rendered, and the acquisition of three-dimensional dynamic models of complex natural phenomena such as trees, water, and fire.

References (7)

There are more references available in the full text version of this article.

Cited by (0)

Peter Hall is Reader in Computer Vision and Computer Graphics at the University of Bath, where he is also the director of the Media Technology Research Centre. His research interests cover non-photorealistic rendering from photographs and video, classification of visual objects regardless of how the object is rendered, and the acquisition of three-dimensional dynamic models of complex natural phenomena such as trees, water, and fire.

Levent Burak Kara is an associate professor in the Department of Mechanical Engineering at Carnegie Mellon University. His research interests include computational design, geometric modeling, sketch-based interfaces, human computer interaction, and artificial intelligence. Kara has a BS in mechanical engineering from the Middle East Technical University, and an MS and PhD in mechanical engineering from Carnegie Mellon University.

Donald House is Professor and Chair of Visual Computing in Clemson University's School of Computing. His specialties are in the broad areas of computer graphics and visualization, with focus on physical simulation applied to animation, and on perceptual issues in visualization. He received his B.S. in Mathematics from Union College, his M.S. in Electrical Engineering from Rensselaer, and his Ph.D. in Computer Science from the University of Massachusetts/Amherst. With Douglas Cunningham, he co-chaired the Computational Aesthetics 2012 Conference in Annecy, France.

Paul Asente is a member of the Visual Computing Lab at Adobe Systems. His major interests include vector graphics and stylization, and many of his research results have appeared as features in Adobes creative applications. He received his PhD from Stanford University in 1987.

View full text