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Mulholland drive: a movie with no image

Published:06 November 2005Publication History

ABSTRACT

Three media artists, Martin Bonadeo, Michael Chu, and D. Scott Hessels, drove Los Angeles' famous Mulholland Drive with five types of sensors--measuring the car's tilt, direction, altitude, speed, and engine sound. The captured data of the mountain road was loaded into a computer and a 3-dimensional model was created. This model was used computationally to control two robotic lights in a room filled with fog. Two 100-foot beams of light and the processed sound of the engine recreated the topology of the road as a new form of visual experience and sculpture-cinema without image. The artwork is designed as a contemporary category of Land Art sculpture, where new media sensors now offer increased abilities to read the environment and allow its forces to generate art.

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  1. Mulholland drive: a movie with no image

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      • Published in

        cover image ACM Conferences
        MULTIMEDIA '05: Proceedings of the 13th annual ACM international conference on Multimedia
        November 2005
        1110 pages
        ISBN:1595930442
        DOI:10.1145/1101149

        Copyright © 2005 ACM

        Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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        Association for Computing Machinery

        New York, NY, United States

        Publication History

        • Published: 6 November 2005

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        MULTIMEDIA '05 Paper Acceptance Rate49of312submissions,16%Overall Acceptance Rate995of4,171submissions,24%

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