ABSTRACT
Three media artists, Martin Bonadeo, Michael Chu, and D. Scott Hessels, drove Los Angeles' famous Mulholland Drive with five types of sensors--measuring the car's tilt, direction, altitude, speed, and engine sound. The captured data of the mountain road was loaded into a computer and a 3-dimensional model was created. This model was used computationally to control two robotic lights in a room filled with fog. Two 100-foot beams of light and the processed sound of the engine recreated the topology of the road as a new form of visual experience and sculpture-cinema without image. The artwork is designed as a contemporary category of Land Art sculpture, where new media sensors now offer increased abilities to read the environment and allow its forces to generate art.
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Index Terms
- Mulholland drive: a movie with no image
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