Aline Normoyle
ABSTRACT
Viewers effortlessly decouple action from style for human motion. Regardless of whether style refers to the subtle differences between individuals (John Wayne's walk versus Charlie Chaplin's walk) or to the manner in which the same action is expressed (such as a sad walk versus a nervous walk), the core intent of an action is readily recognizable.
Index Terms
- How do stylistic motions differ numerically from neutral ones?
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