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Mixed Reality Boundaries in Museum Preservation Areas

Mixed Reality Boundaries in Museum Preservation Areas

Bernardo Uribe, Luis Miguel Méndez, Andrés Tovar, Jean Pierre Charalambos, Olmedo Arcila, Álvaro David López
Copyright: © 2013 |Volume: 3 |Issue: 2 |Pages: 12
ISSN: 2155-4196|EISSN: 2155-420X|EISBN13: 9781466633773|DOI: 10.4018/ijacdt.2013070105
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MLA

Uribe, Bernardo, et al. "Mixed Reality Boundaries in Museum Preservation Areas." IJACDT vol.3, no.2 2013: pp.63-74. http://doi.org/10.4018/ijacdt.2013070105

APA

Uribe, B., Méndez, L. M., Tovar, A., Charalambos, J. P., Arcila, O., & López, Á. D. (2013). Mixed Reality Boundaries in Museum Preservation Areas. International Journal of Art, Culture, Design, and Technology (IJACDT), 3(2), 63-74. http://doi.org/10.4018/ijacdt.2013070105

Chicago

Uribe, Bernardo, et al. "Mixed Reality Boundaries in Museum Preservation Areas," International Journal of Art, Culture, Design, and Technology (IJACDT) 3, no.2: 63-74. http://doi.org/10.4018/ijacdt.2013070105

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Abstract

The paper presents a work in the field of ‘mixed reality boundaries’ applied to the visualization of museum collections in order to display the collections ‘live’ as a way to extend virtually the preservation areas of museum collections. To achieve this goal, it was set out to integrate several virtual-studio techniques with multicasting IP in the web and the ‘tectonics’ of museums architecture were also redesigned to turn this sort of new infrastructure into what will be a new typology of mixed architectures for museum preservation areas. Dynamic lighting for Chroma-keying techniques were adapted to the real time applications and a MR J3D collision tool was added to the remote motion control of the video camera´s 3d scene live navigation.

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