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Interactivity, Cinema, and Experimentation: The Forking Paths

Interactivity, Cinema, and Experimentation: The Forking Paths

Bruno Mendes da Silva, Mirian Nogueira Tavares, Vítor Reia-Baptista
Copyright: © 2016 |Volume: 7 |Issue: 2 |Pages: 18
ISSN: 1947-3117|EISSN: 1947-3125|EISBN13: 9781466692039|DOI: 10.4018/IJCICG.2016070106
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MLA

Mendes da Silva, Bruno, et al. "Interactivity, Cinema, and Experimentation: The Forking Paths." IJCICG vol.7, no.2 2016: pp.68-85. http://doi.org/10.4018/IJCICG.2016070106

APA

Mendes da Silva, B., Tavares, M. N., & Reia-Baptista, V. (2016). Interactivity, Cinema, and Experimentation: The Forking Paths. International Journal of Creative Interfaces and Computer Graphics (IJCICG), 7(2), 68-85. http://doi.org/10.4018/IJCICG.2016070106

Chicago

Mendes da Silva, Bruno, Mirian Nogueira Tavares, and Vítor Reia-Baptista. "Interactivity, Cinema, and Experimentation: The Forking Paths," International Journal of Creative Interfaces and Computer Graphics (IJCICG) 7, no.2: 68-85. http://doi.org/10.4018/IJCICG.2016070106

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Abstract

Based on the triad film-interactivity-experimentation, the applied research project The Forking Paths, developed at the Arts and Communication Research Centre (CIAC), endeavours to find alternative narrative forms in the field of Cinema and, more specifically, in the subfield of Interactive Cinema. The films in The Forking Paths invest in the relationship between the spectator and the film narrative, which is intended to be more active and engaged, and at same time they propose a research on the development of audio-visual language. The project is consubstantiated at an online platform that aims to foster the creation and web hosting of Interactive Cinema in its different variables.

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