Abstract
Museology is undergoing a sea change in the digital era. Studying new technologies or pioneering experiments on digital art alone is far from enough for us to fully grasp such a revolutionary change. As a matter of fact, the influence of digital technology is so pervasive that it is extended over almost all aspects of the society and even leads to cultural reorientation. To the extend, we can see an accelerating trend towards creating works of art with digital media technology, an innovative tool that also occupies a crucial role in the maintenance, preservation, and display of art institutions’ collections. Against this background, this paper attempts not only to identify the latest development of this trend by case studies, but also to investigate how digital technology helps preserve and perpetuate traditional arts and crafts, so as to provide suggestions on reducing the preservation costs and increasing the perpetuation efficiency. In addition, by reference to the results of the case studies and the analysis of professionals’ experiences, this paper seeks to explore the possibilities of facilitating cultural exchange and interactive communication with digitalized display and innovative transformation. This paper concludes with reflections on some cultural issues concerning the application of digital media technology to museum collection display.
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Work Cited
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References
Bast, G., Garayannis, E., Campbell, D.: The Future of Museums. Springer, Switzerland (2018). https://doi.org/10.1007/978-3-319-93955-1
Bautista, S.: Museums in the Digital Age: Changing Meanings of Place, Community, and Culture. AltaMira, Plymouth (2014)
Carrozzino, M., Bergamasco, M.: Beyond virtual museums, experiencing immersive virtual reality in real museums. J. Cult. Herit. 11, 452–458 (2010)
Chen, M.T., Chu, Y.M.: Science and technology exhibition planning: from the viewpoint of interpretation of technology. Technol. Mus. Rev. 4(17), 27–56 (2013)
Giannini, T., Bowen, J.: Museums and Digital Culture: New Perspectives and Research. Springer, NY (2019). https://doi.org/10.1007/978-3-319-97457-6
Hooper-Greenhill, E.: Museums and the Interpretation of Visual Culture. Routledge, London (2000)
Jewitt, C.: Digital technologies in museums: new routes to engagement and participation. Des. Learn. 5, 74–93 (2012)
Ko, C.R.: The Experience from the Rijksmuseum: The Decision-making Process of Opening Its Collection to the Public. http://creativecommons.tw/blog/20151113. Accessed 9 Jan 2017
Pekel, J.: Democratising the Rijksmuseum. https://pro.europeana.eu/files/Europeana_Professional/Publications/Democratising%20the%20Rijksmuseum.pdf. Accessed 9 Jan 2017
Pepi, M.: Is a Museum a Database?: Institutional Conditions in Net Utopia. https://www.e-flux.com/journal/60/61026/is-a-museum-a-database-institutional-conditions-in-net-utopia/. Accessed 15 July 2019
Sportun, S.: The future landscape of 3D in museums. In: Levent, N., Pascual-Leone, A. (eds.) The Multisensory Museum Cross-Disciplinary Perspectives on Touch, Sound, Smell, Memory, and Space, pp. 331–340. Rowman & Littlefield, Plymouth (2014)
Styliani, S., Fotis, L., Kostas, K., Petros, P.: Virtual museums, a survey and some issues for consideration. J. Cult. Herit. 10, 520–528 (2009)
Thomas, S., Mintz, A.: The Virtual and the Real: Media in the Museum. American Association of Museums, Washington, D. C. (1998)
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Chiu, CY.A., Shih, DT.L. (2020). Cultural Engagement and Interactive Communication: A Study on the Implementation of New Media on Museum’s Digital Interpretations. In: Rau, PL. (eds) Cross-Cultural Design. Applications in Health, Learning, Communication, and Creativity. HCII 2020. Lecture Notes in Computer Science(), vol 12193. Springer, Cham. https://doi.org/10.1007/978-3-030-49913-6_22
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