Abstract
Based on the study of the patterns that characterize the post-dramatic Indigenism of Latin America (Ecuador, Peru, Bolivia, Colombia), this article tries to show some plays -and their analysis/patterns- of the main/canonical playwrights of Indigenous influence within the Andean area. We are going to compare two cultures, two ways that are somewhat different in their mode and manner of communication: the European (post-)dramatic and the Hispanic (Latin American and Iberian) in the Spanish language. What does this Andean Indianism (somehow eradicated by the Spaniards) have in common with the post-drama of Europe and that of the Spanish homeland and what, on the other hand, of disagreement? On what has the Indian-Spanish and the Greco-European-Elizabethan culture based their divorce in their understanding of drama? Answering these questions is offered to us as an objective for a study that opens the doors to enigmas never before approached by literary science.
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References
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Orosa, M.A., Galarza-Ligña, V., Culqui-Medina, A. (2021). The Post-dramatic Indigenous Communication in Latin America (Ecuador, Peru, Bolivia, Colombia) and Its Comparison with That of Europe and Spain. The Case of Some Latin American/Spanish and European Playwrights, and the Differences Between Both Dramatic Worldviews. In: Rocha, Á., Ferrás, C., López-López, P.C., Guarda, T. (eds) Information Technology and Systems. ICITS 2021. Advances in Intelligent Systems and Computing, vol 1331. Springer, Cham. https://doi.org/10.1007/978-3-030-68418-1_27
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