Abstract
Scientific and technological inventiveness scarcely appears isolated. It is rather accompanied by a general cultural atmosphere, which may transfer influences from one cultural domain to another, often in a non-rational unconscious way. We may unveil analogous epistemological correlations between different scientific approaches, usually imposing the predominance of leading paradigms to others, of minor importance. We may also signalize the association of such leading “smart” scientific or technological paradigms to the totality of social expression, and thus to the representational art practices, to generalized social behavior and even to the political context of a given historic period. In this sense, we may also detect preceding scientific or cultural influences, which participate in future scientific and cultural formations and may incubate a future “smart” reality and give birth to it. Such correlations could probably be detected, between the contemporary “smart” approaches of the topology oriented design references or present-day digital technology and the scientific and cultural interest of the nineteenth century, the latter focusing on change, movement, and evolution. We could even use the terms “digital vitalism,” in order to refer to contemporary “animate” digital design in correlation to the notion of “vitalism,” correlated to the eighteenth and nineteenth-century mystical belief that a non-physical element, an inner “spark,” gives motion to beings. According to romantic thought, such vital energy could even be extended to inorganic beings; why not, to the inorganic, morphogenetic presentations of our computer screens.
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Notes
- 1.
As presented in Appendix C, in Mary Shelley’s Frankenstein [1992, p.232].
- 2.
As described in Mary Shelley’s introduction in the1831’s publication of her Frankenstein (1994, p. 13).
- 3.
Giedion (1967).
- 4.
‘A state of non-ordinary reality’, as described by the anthropologist and literature writer Carlos Castaneda in his bestseller The Teachings of Don Juan: A Yaqui Way of Knowledge (1968). It is significant that, though the book content was initially submitted as a scientific text, as a master thesis of the author, it was closely correlated to the general cultural predisposition of a number of artists and intellectuals of the period, rejecting conventional Western ethics and promoting cultural paradigms of La Pensée Sauvage - The Savage Mind – (Lévi-Strauss 1962, 1966); a product of scientific orientation associated to the general cultural atmosphere of the era.
- 5.
Hallucinatory Brazilian modernism and the aesthetics of the animate landscape: Curvilinear geometry, as applied at the garden design proposal of the Beach House for Mr. and Mrs. Burton Tremaine by Roberto Burle Marx (site plan 1948 – see “Beach House for Mr. and Mrs. Burton Tremaine, project, Santa Barbara, California” – available from: https://www.moma.org/collection/works/161, 29 June 2021).
- 6.
“Theo-piia,” a Greek compound word bringing together the term “theos – god” and the term “piia – creation”: divine creation.
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Moraitis, K. (2022). Digital “Vitalism” and its “Epistemic” Predecessors: “Smart” Neoteric History and Contemporary Approaches. In: Pardalos, P.M., Rassia, S.T., Tsokas, A. (eds) Artificial Intelligence, Machine Learning, and Optimization Tools for Smart Cities. Springer Optimization and Its Applications, vol 186. Springer, Cham. https://doi.org/10.1007/978-3-030-84459-2_2
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