Abstract
This paper describes an architecture design process for Networked Music Performance (NMP) platform for medium-sized conducted music ensembles, based on remote rehearsals of Academic Choir of Gdańsk University of Technology. The issues of real-time remote communication, in-person music performance, and NMP are described. Three iterative steps defining and extending the architecture of the NMP platform with additional features to enhance its utility in remote rehearsals are presented. The first iteration uses a regular video conferencing platform, the second iteration uses dedicated NMP devices and tools, and the third iteration adds video transmission and utilizes professional low-latency audio and video workstations. For each iteration, the platform architecture is defined and deployed with simultaneous usability tests. Its strengths and weaknesses are identified through qualitative and quantitative measurements – statistical analysis shows a significant improvement in rehearsal quality after each iteration. The final optimal architecture is described and concluded with guidelines for creating NMP systems for said music ensembles.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Bartlette, C., Headlam, D., Bocko, M., Velikic, G.: Effect of network latency on interactive musical performance. Music. Percept. 24(1), 49–62 (2006)
Bouillot, N.: nJam user experiments: enabling remote musical interaction from milliseconds to seconds. In: Proceedings of the 7th international Conference on New interfaces For Musical Expression, pp. 142–147 (2007)
Bouillot, N., Cooperstock, J.R.: Challenges and performance of high-fidelity audio streaming for interactive performances. In: NIME, pp. 135–140. Citeseer (2009)
Cáceres, J.P., Hamilton, R., Iyer, D., Chafe, C., Wang, G.: To the edge with China: explorations in network performance. In: ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, pp. 61–66 (2008)
Chafe, C.: Tapping into the Internet as an acoustical/musical medium. Contemp. Music. Rev. 28(4–5), 413–420 (2009)
Chafe, C., Caceres, J.P., Gurevich, M.: Effect of temporal separation on synchronization in rhythmic performance. Perception 39(7), 982–992 (2010)
Chafe, C., Wilson, S., Leistikow, R., Chisholm, D., Scavone, G.: A simplified approach to high quality music and sound over IP. In: Proceedings of the COST G-6 Conference on Digital Audio Effects (DAFX-00), pp. 159–164. Citeseer (2000)
Correia, A.P., Liu, C., Xu, F.: Evaluating videoconferencing systems for the quality of the educational experience. Distance Educ. 41(4), 429–452 (2020). https://doi.org/10.1080/01587919.2020.1821607
Dessen, M.: Networked music performance: an introduction for musicians and educators (2020). ujeb.se/mrEpS5. Accessed 15 May 2022
Faadhilah, A.F., Elfitri, I.: Comparison of audio quality of teleconferencing applications using subjective test. In: Audio Engineering Society Convention 152. Audio Engineering Society (2022)
Fischer, V.: Case study: Performing band rehearsals on the Internet with Jamulus (2015)
Gu, X., Dick, M., Kurtisi, Z., Noyer, U., Wolf, L.: Network-centric music performance: practice and experiments. IEEE Commun. 43(6), 86–93 (2005)
Hoßfeld, T., Binzenhöfer, A.: Analysis of Skype VoIP traffic in UMTS: end-to-end QoS and QoE measurements. Comput. Netw. 52(3), 650–666 (2008)
King, E.C.: Collaboration and the study of ensemble rehearsal. In: Eighth International Conference on Music Perception and Cognition (ICMPC8) (2004)
Mall, P., Kilian, J.: Low-latency online music tool in practice (2021)
Matulin, M., Mrvelj, Š, Abramović, B., Šoštarić, T., Čejvan, M.: User quality of experience comparison between Skype, Microsoft Teams and Zoom videoconferencing tools. In: Perakovic, D., Knapcikova, L. (eds.) FABULOUS 2021. LNICST, vol. 382, pp. 299–307. Springer, Cham (2021). https://doi.org/10.1007/978-3-030-78459-1_22
Onderdijk, K.E., Acar, F., Van Dyck, E.: Impact of lockdown measures on joint music making: playing online and physically together. Front. Psychol. 12, 1364 (2021)
Pennill, N.: Ensembles working towards performance: emerging coordination and interactions in self-organised groups. Ph.D. thesis, University of Sheffield (2019)
Rottondi, C., Chafe, C., Allocchio, C., Sarti, A.: An overview on networked music performance technologies. IEEE Access 4, 8823–8843 (2016)
Volpe, G., D’Ausilio, A., Badino, L., Camurri, A., Fadiga, L.: Measuring social interaction in music ensembles. Philos. Trans. R. Soc. B Biol. Sci. 371(1693), 20150377 (2016)
Weinberg, G.: Interconnected musical networks: toward a theoretical framework. Comput. Music. J. 29(2), 23–39 (2005)
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2022 Springer Nature Switzerland AG
About this paper
Cite this paper
Cychnerski, J., Mróz, B. (2022). Architecture Design of a Networked Music Performance Platform for a Chamber Choir. In: Chiusano, S., et al. New Trends in Database and Information Systems. ADBIS 2022. Communications in Computer and Information Science, vol 1652. Springer, Cham. https://doi.org/10.1007/978-3-031-15743-1_40
Download citation
DOI: https://doi.org/10.1007/978-3-031-15743-1_40
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-031-15742-4
Online ISBN: 978-3-031-15743-1
eBook Packages: Computer ScienceComputer Science (R0)