Interface and Window: Imagination and Technology in Movie Interaction

Abstract

This paper investigates the relationship between symbolic interaction and the audience’s imagination through text analysis and case studies of desktop movies. This paper demonstrates how the interaction between the film and the computer interface has evolved, with the film’s numerous search websites, social media platforms, and streaming platforms realistically reproducing the audience’s real-world internet interaction experience and narrowing the gap between the image and the film interface. The use of digital computing technology in filmmaking, combined with the human-computer interaction mode of modern computers, has resulted in a digital cinema image-based, database algorithm as the technical logic for visual perception-oriented art presentation. As a result, in the “image-interface” movie presentation mode, interactive interfaces are becoming increasingly important components of the digital media system.