Abstract
The combination of traditional Chinese ink art and new media technology has produced art with contemporary aesthetic value. In the collision of tradition and modernity, a brand-new aesthetic form is gradually emerging. Based on the traditional aesthetics of Oriental ink painting and nourished by modern new technology and craft aesthetics, it has developed rapidly. The new art form is currently in a transition period from the embryonic stage to the development stage, with various forms of works appearing rapidly and in large numbers, and relatively stable and unique aesthetic styles gradually emerging. However, with the rapid upgrading and iteration of technology, the aesthetic style of artistic works also appears the phenomenon of rapid iteration. How to remove the dross and take the essence in iteration after iteration? We use the rooted theory to study the aesthetic connotation of new media ink art. The aesthetic connotation is studied and summarized to form a theoretical framework of the aesthetic connotation of new media ink painting art, which can be used to guide the benign development of new media ink painting art under subsequent technological iterations, inject the vitality of the new media digital era into the traditional Chinese classic aesthetic forms and thoughts, and consolidate the excellent inheritance of traditional aesthetic thoughts.
This paper summarizes the theoretical model of the aesthetic connotation of new media ink painting art, which is divided into four levels from shallow to deep, namely, impression beauty, feeling beauty, human-computer interaction beauty and emotional reflection beauty.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Wang, X.: Searching for the Heart in “Particle Ink Painting”. Wen Hui Po (2023). https://doi.org/10.28814/n.cnki.nwehu.2023.000288
Liu, X.J.: Review the current development State of Ink Painting from the Dimension of Modern Sociology. Chin. Fine Arts 06, 15–16 (2022)
Liang, K., Jin, H.: Explore the application of ink and wash symbols in new media art under the trend of contemporary art. Sci. Technol. Commun. 12(18), 53–54 (2020)
Zhang, X.: On the construction of artistic conception in chinese painting. Art Educ. 325(09), 111–113 (2018)
Wang, J., Han, Z.: Research on Stylization of ink painting in VR interactive images. Contemp. Animat. 01, 88–93 (2023)
Liu, Q.: ‘‘Trace, Return to the Root" -- the expression of calligraphy and ink elements in kan tai-keung's graphic design. Beauty Times (I)(12), 86–88 (2022). https://doi.org/10.16129/j.cnki.mysds.2022.12.020
Miao, L.: Application of virtual reality technology in narrative design of museums. Packa. Eng. 39(04), 15–18 (2018)
Shen, Y., Yu, F.: The influence of artificial intelligence on art design in the digital age. Sci. Program. (2021)
Zhou, C., Chai, C., Yang, C.: Research on iteration of artificial intelligence aided design – taking graphic design as an example. Packa. Eng. 42(18), 50–62 (2021)
Gao, F., Jiao, Y.: Aided creative design based on artificial intelligence. Zhuangshi 11, 34–37 (2019)
Duan, Y., Zhang, J., Gu, X.: A novel paradigm to design personalized derived images of art paintings using an intelligent emotional analysis model. Front. Psychol. 12 (2021)
Yang, X.: Image modal analysis in art design and image recognition using AI techniques. J. Intell. Fuzzy Syst. 40(4), 6961–6971 (2021)
Chen, Q.: The ‘“Field”’ of ink painting: a research method of art sociology. Chin. Fine Arts Stud. 02, 172–175 (2022)
Fang, J.: Discussion on the application of ink elements in graphic design. Pop. Literat. Art 545(23), 35–37 (2022)
Zhao, L.: Powerful “Ink Sculpture” – Zhou Jingxin’s ink painting. Fine Arts Observ. 328(12), 118–119 (2022)
Wang, C.: Analysis on the influence of color aesthetics on modern interior design in chinese painting art. Ind. Arch. 52(04), 259 (2022)
Yin, J., Yu, T.: On the “Micro” interest of interactive display under the background of digital age. Packa. Eng. 33(18), 12–14+30 (2012). https://doi.org/10.19554/j.cnki.1001-3563.2012.18.004
Zhao, S., Shen, L.: Research on Interactive interface design of children's smartwatch based on Flow theory. Packa. Eng., 1–11 (2023)
Zhong, X., Wang, J., Liu, C., Jiang, G.: Based on the analysis of emotion fuzzy computing the uncanny valley effect cause. J. Packa. Eng. 33(14), 190–196 (2018). https://doi.org/10.19554/cnki.1001-3563.2018.14.035
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2023 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this paper
Cite this paper
Xu, W., Xu, J., Zhang, Z. (2023). Research on the Aesthetic Connotation of New Media Ink Painting Art Based on Grounded Theory. In: Marcus, A., Rosenzweig, E., Soares, M.M. (eds) Design, User Experience, and Usability. HCII 2023. Lecture Notes in Computer Science, vol 14034. Springer, Cham. https://doi.org/10.1007/978-3-031-35705-3_15
Download citation
DOI: https://doi.org/10.1007/978-3-031-35705-3_15
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-031-35704-6
Online ISBN: 978-3-031-35705-3
eBook Packages: Computer ScienceComputer Science (R0)