Abstract
The aim of the Chamera di percezione is to amplify the perception of the work of art by triggering an experiential relationship to integrate the aesthetic-historic-philological studies relating to the artistic product and its genesis, directing attention at the response of the observer in relation to the aesthetic experience. The project proposes a “magic box” in which large-format high-definition images of Raphael’sMadonna of the Goldfinch are projected, making it possible to penetrate the painting while also revealing the recent restoration process. The approach to the Chamera di percezione is modelled in a crescendo, in images and sequences linked to the different levels. Planes of reading are overlaid, offering multiple possibilities of access to the art work. In this way, each person can pursue the approach best suited to their own inclinations.
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Falvo, P.G. (2014). The Madonna of the Goldfinch by Raphael: Chamera of Perception. In: Ioannides, M., Magnenat-Thalmann, N., Fink, E., Žarnić, R., Yen, AY., Quak, E. (eds) Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. EuroMed 2014. Lecture Notes in Computer Science, vol 8740. Springer, Cham. https://doi.org/10.1007/978-3-319-13695-0_72
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DOI: https://doi.org/10.1007/978-3-319-13695-0_72
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