Abstract
This paper describes the creation, experience and assessment of a soundscape installation, conceived and undertaken as a contribution to the research project “Hong Kong Stair Archive: Documenting the Walkable City”. It examines the use of audio recordings and their presentation in a three-dimensional sound-field installation to provide an additional layer of data, analysis and interactivity to the investigation of pedestrian urban environments. This installation combines culturally and socially definitive sounds, photographs, architectural drawings and introductory texts to draw attention to the unique qualities of walking spaces and their use context, participatory nature and importance to life in the modern city.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Barry M, Doherty G (2016) What we talk about when we talk about interactivity: empowerment in public discourse. New Media Soc. Feb 2
Chion M (1994) Audio-vision: sound on sScreen. Columbia University Press, New York
Jacucci G, Wagner M, Wagner I, Giaccardi E, Annunziato M, Breyer N, Hansen J, Jo K, Ossevoort S, Perini A, Roussel N, Schuricht S(2010) ParticipArt: exploring participation in interactive art installations. In: 9th IEEE international symposium on mixed and augmented reality 2010: arts, media, and humanities, ISMAR-AMH 2010 – proceedings, pp 3–10
Spiro K (2002) Interactivity: a concept explication. New Media and Society 4(3):355–383
Kwastek K (2013) Aesthetics of interaction in digital art. MIT Press, Cambridge
Lefebvre H (1991, 1974) The production of space. Blackwell, London
Paterson N, Conway F (2013) Situated soundscapes: redefining media art and the urban experience. Leonardo Electron Almanac 19(1):122–134
Sarah P (2009) Doing sensory ethnography, vol 143. SAGE Publications Ltd, London/Thousand Oaks, pp 13–15
Saldanha A (2009) Soundscapes. University of Minnesota/Elsevier Ltd., Minneapolis
Thibaud J-P (2011) A sonic paradigm of urban ambiances. J Sonic Stud 1(1) (http://journal.sonicstudies.org/vol01/nr01/a02)
Truax B (2000) Soundscape composition as global music (sfu.ca/∼truax/soundescape.html)
Zuckerkandl V (1973) Sound and symbol. Music and the external world. Princeton University Press, Princeton
Acknowledgments
Special thanks to the COOP 2016 organizers and reviewers, especially Maria Menendez Blanco and Jonas Fritsch for their invaluable assistance. The Hong Kong Stair Archive project is supported by a grant from the Research Grants Council of the Hong Kong Special Administrative Region, China [Project No. (PolyU274002/14H)].
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2016 Springer International Publishing Switzerland
About this paper
Cite this paper
Willis, M., Cate Christ, M. (2016). Listening to the Walkable City. In: De Angeli, A., Bannon, L., Marti, P., Bordin, S. (eds) COOP 2016: Proceedings of the 12th International Conference on the Design of Cooperative Systems, 23-27 May 2016, Trento, Italy. Springer, Cham. https://doi.org/10.1007/978-3-319-33464-6_22
Download citation
DOI: https://doi.org/10.1007/978-3-319-33464-6_22
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-33463-9
Online ISBN: 978-3-319-33464-6
eBook Packages: Computer ScienceComputer Science (R0)