Skip to main content

Robots and the Moving Camera in Cinema, Television and Digital Media

  • Conference paper
  • First Online:
Cultural Robotics (CR 2015)

Part of the book series: Lecture Notes in Computer Science ((LNAI,volume 9549))

Included in the following conference series:

Abstract

The moving camera is a ubiquitous element in visual culture, and one that is undergoing significant change. Camera movement has traditionally been bound to the capabilities of human bodies and their physical equipment. Computer-based and robotic systems are enabling changes in image genres, extending the fields of perception for viewers. Motion control systems provide much tighter control over the movement of the camera in space and time. On television, wire-suspended cameras such as Skycam and Spidercam provide aerial perspectives above sports fields and music venues. Drones bring to the image a fusion of intimacy and magical elevation. An emerging domain of vision systems is in robotics and surveillance systems that remove the human operator entirely from the production and interpretation of images. In each of these cases, the question of the subjectivity and objectivity of images is complicated.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  1. Jones, M.: Camera in motion part 2: means and methods. Screen Educ. 61, 112–117 (2011). http://search.informit.com.au/documentSummary;dn=938208349941246;res=IELLCC

    Google Scholar 

  2. Mark Roberts Motion Control (n.d.) ‘Cyclops | Mark Roberts Motion Control’. http://www.mrmoco.com/cranes-rigs/products/rigs/cyclops/. Accessed June 2015

  3. Moulin Rouge, Director: Baz Luhrmann. Australia: Twentieth Century Fox and Bazmark Films (2001)

    Google Scholar 

  4. Bordwell, D.: Camera movement and cinematic space. Ciné- Tracts. J. Film Commun. Cult. Polit. 1(2), 19–25 (1977)

    Google Scholar 

  5. Deleuze, G.: Cinema 1: The Movement Image. University of Minnesota Press, Minneapolis (1986)

    Google Scholar 

  6. Sunrise: a song of two humans, Director F.W. Murnau, Fox Film Corporation (1927)

    Google Scholar 

  7. The crowd. Director: King Vidor, USA: Metro-Goldwyn-Mayer (1928)

    Google Scholar 

  8. Citizen Kane. Director: Orson Welles. USA: RKO Radio Pictures and Mercury Productions (1941)

    Google Scholar 

  9. Isaacs, B.: “Reality Effects: The Ideology of the Long Take in the Cinema of Alfonso Cuaron”. In: Leyda, J., Denson, S. (eds.) Post Cinema: Theorizing 21st Century Film. (Reframe Books) (forthcoming, 2015)

    Google Scholar 

  10. Children of Men. Director: Alfonso Cuarón. Universal Pictures, Strike Entertainment and Hit & Run Productions (2006)

    Google Scholar 

  11. RESFEST 2004 Festival Open Directors: Motion theory and kozyndan, Resfest. Vimeo: https://vimeo.com/356891 (2004)

  12. Hugo. Director: Martin Scorsese USA: Paramount Pictures, G.K. Films and Infinitum Nihil (2011)

    Google Scholar 

  13. Gravity. Director: Alfonso Cuarón, USA Warner Brothers, Esperanto Filmoj and Heyday Films (2013)

    Google Scholar 

  14. Glenn, C.R.: The effects of subjective camera and fanship on viewers’ experience of presence and perception of play in sports telecasts. J. Appl. Commun. Res. 37(4), 374–396 (2009)

    Article  Google Scholar 

  15. Stahl, R.: What the drone saw: the cultural optics of the unmanned war. Aust. J. Int. Aff. 67(5), 659–674 (2013). doi:10.1080/10357718.2013.817526

    Article  Google Scholar 

  16. I Won’t Let you Down. OK Go. USA & Japan: Mori Inc

    Google Scholar 

  17. Super Terrific Happy Hour “Predator Drone Camera Missile Strike - Missile Cam”. https://www.youtube.com/watch?v=KcEoRae6Yog (2014)

  18. Bruce, F.H.: Vietnam and Other American Fantasies. University of Massachusetts Press, Amherst (2000)

    Google Scholar 

  19. House of cards. Radiohead. Directors: James Frost and Aaron Koblin, Radiohead (2008)

    Google Scholar 

  20. Bellotto, N., Benfold, B., Harland, H., Nagel, H.-H., Pirlo, N., Reid, I., Sommerlade, E., Zhao, C.: Computer vision and image understanding. Comput. Vis. Image Underst. 116(3), 457–471 (2012). doi:10.1016/j.cviu.2011.09.011

    Article  Google Scholar 

  21. Brown, M.: Robot readable world shows us life through the eyes of machines. Wired UK, 19 April 2012. http://www.wired.com/2012/04/robot-readable-world/

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Chris Chesher .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2016 Springer International Publishing Switzerland

About this paper

Cite this paper

Chesher, C. (2016). Robots and the Moving Camera in Cinema, Television and Digital Media. In: Koh, J., Dunstan, B., Silvera-Tawil, D., Velonaki, M. (eds) Cultural Robotics. CR 2015. Lecture Notes in Computer Science(), vol 9549. Springer, Cham. https://doi.org/10.1007/978-3-319-42945-8_9

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-42945-8_9

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-42944-1

  • Online ISBN: 978-3-319-42945-8

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics