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The Contribution of Digital Technologies to the Mediation of the Conservation-Restoration of Cultural Heritage

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Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection (EuroMed 2016)

Part of the book series: Lecture Notes in Computer Science ((LNISA,volume 10059))

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Abstract

This brief article presents some of the questions inherent to the thesis I am currently engaged in with the French Paris 8 University, in the field of Communication sciences. Entitled Conservation and restoration of cultural heritage in regard to digital humanities, that thesis aims at interrogating the impact of digital technologies on the managing, the conservation as well as the understanding and the appropriation of cultural heritage in terms of materiality. In other words, the goal is to question the importance of these technologies in the creation of new frameworks of memories, as well as in the establishing of a mediation of cultural heritage that would be the point of origin of the building and the vision of a singular history of art. To that end, this article proposes to analyze three digital devices from three different perspectives of the conservation-restoration of cultural heritage: research, restoration and diffusion.

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Notes

  1. 1.

    Consulted online on August 29th, 2016.

  2. 2.

    According to Ségolène Bergeon Langle and Georges Brunel, the restitution is an « operation which aims at virtually reconstituting an artwork or a building in its shapes and colors; it must be seen as a proposal which does not have any impact on the material reality of the cultural good » (La restauration des œuvres d’art. Vade-mecum en quelques mots. Hermann Editeurs, Paris (2014), p. 351).

References

  1. Bergeon, L.S., Brunel, G.: La restauration des œuvres d’art. Vade-mecum en quelques mots. Hermann Editeurs, Paris (2014)

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  2. The Rembrandt Database. http://www.rembrandtdatabase.org/Rembrandt

  3. Art Institut of Chicago, Exhibition Renoir’s True Colors: Science Solves a Mystery. http://www.artic.edu/exhibition/renoir-s-true-colors-science-solves-mystery

  4. Desvallées, A., Mairesse, F.: Key Concepts of Museology, ICOM, Armand Colin, Paris (2010)

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  5. Focus on the Mona Lisa. http://focus.louvre.fr/fr/la-joconde

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Correspondence to Clément Serain .

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Serain, C. (2016). The Contribution of Digital Technologies to the Mediation of the Conservation-Restoration of Cultural Heritage. In: Ioannides, M., et al. Digital Heritage. Progress in Cultural Heritage: Documentation, Preservation, and Protection. EuroMed 2016. Lecture Notes in Computer Science(), vol 10059. Springer, Cham. https://doi.org/10.1007/978-3-319-48974-2_32

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  • DOI: https://doi.org/10.1007/978-3-319-48974-2_32

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  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-48973-5

  • Online ISBN: 978-3-319-48974-2

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