Skip to main content

An Improved Design for Digital Audio Effect of Flanging

  • Conference paper
Signal Processing, Image Processing and Pattern Recognition (SIP 2009)

Part of the book series: Communications in Computer and Information Science ((CCIS,volume 61))

Abstract

Digital audio effect is a digital signal processing technique used to modify or modulate an audio signal to make it have some special hearing effect such as reverberation and flanging. Starting from a discussion of the general model for the generation of digital flanging effect, this paper presents an improved model for flanging effect generation. Simulation experiments are done and the performances of the two models are compared. The results show that the new model can enrich the harmonic components and enhance the flanging effect. The new flanging model is also examined for different modulation waveforms.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Orfanidis, S.: Introduction to Signal Processing. Tsinghua University Press/Prentice Hall, Beijing (1998)

    Google Scholar 

  2. Mitra, S.: Digital Signal Processing: A Computer Based Approach. Tsinghua University Press/McGraw-hill, Beijing (2001)

    Google Scholar 

  3. Dattorro, J.: Effect Design: Part 1 Reverberator and Other Filters. Audio Engineering Society 45(10), 660–684 (1997)

    Google Scholar 

  4. Dattorro, J.: Effect Design: Part 2 Delay-Line Modulation and Chorus. Audio Engineering Society 45(10), 764–788 (1997)

    Google Scholar 

  5. Verfaille, V., Zolzer, U., Arfib, D.: Adaptive Digital Audio Effects (A-DAFx): A New Class of Sound Transformations. IEEE Transactions on Audio, Speech and Language Processing 14(5), 1817–1831 (2006)

    Article  Google Scholar 

  6. Caputa, M.: Developing Real-Time Digital Audio Effects for Electric Guitar in an Introductory Digital Signal Processing Class. IEEE Transactions on Education 41(4), 341–346 (1998)

    Article  Google Scholar 

  7. Martens, W., Atsushi, M.: Categories of Perception for Vibrato, Flange, and Stereo Chorus: Mapping out the Musically Useful Ranges of Modulation Rate and Depth for Delay-Based Effects. In: 9th Int. Conference on Digital Audio Effects (DAFx 2006), Montreal, pp. 149–152 (2006)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2009 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Chen, J., Ji, X., Gu, X., Zhou, J. (2009). An Improved Design for Digital Audio Effect of Flanging. In: Ślęzak, D., Pal, S.K., Kang, BH., Gu, J., Kuroda, H., Kim, Th. (eds) Signal Processing, Image Processing and Pattern Recognition. SIP 2009. Communications in Computer and Information Science, vol 61. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-10546-3_9

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-10546-3_9

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-10545-6

  • Online ISBN: 978-3-642-10546-3

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics