Overview
- First book that gives full account on the state of the art of empirical and philosophical performance theory, including software and case studies
- Is a textbook for music students and researchers as well with rich illustrations and sound examples
- Has been written by one of the leading experts in the field
- Includes supplementary material: sn.pub/extras
Part of the book series: Computational Music Science (CMS)
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About this book
This book is a first sketch of what the overall field of performance could look like as a modern scientific field but not its stylistically differentiated practice, pedagogy, and history. Musical performance is the most complex field of music. It comprises the study of a composition’s expression in terms of analysis, emotion, and gesture, and then its transformation into embodied reality, turning formulaic facts into dramatic movements of human cognition. Combining these components in a creative way is a sophisticated mix of knowledge and mastery, which more resembles the cooking of a delicate recipe than a rational procedure.
This book is the first one aiming at such comprehensive coverage of the topic, and it does so also as a university text book. We include musicological and philosophical aspects as well as empirical performance research. Presenting analytical tools and case studies turns this project into a demanding enterprise in construction and experimental setups of performances, especially those generated by the music software Rubato.
We are happy that this book was written following a course for performance students at the School of Music of the University of Minnesota. Their education should not be restricted to the canonical practice. They must know the rationale for their performance. It is not sufficient to learn performance with the old-fashioned imitation model of the teacher's antetype, this cannot be an exclusive tool since it dramatically lacks the poetical precision asked for by Adorno's and Benjamin's micrologic. Without such alternatives to intuitive imitation, performance risks being disconnected from the audience.
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Keywords
Table of contents (30 chapters)
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Introduction
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Expressive Theory
Reviews
"[T]his book is an interesting look at a structured, theoretical investigation of artistic expression. One could question the need for such research, on the basis that traditional training works well. Whether this analysis could improve performance technique remains to be proven. On the other hand, we have much to learn about human consciousness and emotions. Work in this area could shed some light here, which would be welcome." (G.R. Mayforth, ACM Computing Reviews, May 2012)
Authors and Affiliations
Bibliographic Information
Book Title: Musical Performance
Book Subtitle: A Comprehensive Approach: Theory, Analytical Tools, and Case Studies
Authors: Guerino Mazzola
Series Title: Computational Music Science
DOI: https://doi.org/10.1007/978-3-642-11838-8
Publisher: Springer Berlin, Heidelberg
eBook Packages: Computer Science, Computer Science (R0)
Copyright Information: Springer-Verlag Berlin Heidelberg 2011
Hardcover ISBN: 978-3-642-11837-1Due: 04 January 2011
Softcover ISBN: 978-3-642-26641-6Published: 27 February 2013
eBook ISBN: 978-3-642-11838-8Published: 16 November 2010
Series ISSN: 1868-0305
Series E-ISSN: 1868-0313
Edition Number: 1
Number of Pages: XV, 290
Topics: Media Design, Algebraic Topology