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Stereoscopic Cinema

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Image and Geometry Processing for 3-D Cinematography

Part of the book series: Geometry and Computing ((GC,volume 5))

Abstract

Stereoscopic cinema has seen a surge of activity in recent years, and for the first time all of the major Hollywood studios released 3-D movies in 2009. This is happening alongside the adoption of 3-D technology for sports broadcasting, and the arrival of 3-D TVs for the home. Two previous attempts to introduce 3-D cinema in the 1950s and the 1980s failed because the contemporary technology was immature and resulted in viewer discomfort. But current technologies – such as accurately-adjustable 3-D camera rigs with onboard computers to automatically inform a camera operator of inappropriate stereoscopic shots, digital processing for post-shooting rectification of the 3-D imagery, digital projectors for accurate positioning of the two stereo projections on the cinema screen, and polarized silver screens to reduce cross-talk between the viewers left- and right-eyes – mean that the viewer experience is at a much higher level of quality than in the past. Even so, creation of stereoscopic cinema is an open, active research area, and there are many challenges from acquisition to post-production to automatic adaptation for different-sized display. This chapter describes the current state-of-the-art in stereoscopic cinema, and directions of future work.

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Authors and Affiliations

  1. INRIA Grenoble – Rhóne-Alpes, Montbonnot Saint Martin, France

    Frédéric Devernay

  2. Disney Research, Zürich, Switzerland

    Paul Beardsley

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  1. Frédéric Devernay
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    Rémi Ronfard

  2. Div. Engineering, Brown University, Providence, 02912, USA

    Gabriel Taubin

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Devernay, F., Beardsley, P. (2010). Stereoscopic Cinema. In: Ronfard, R., Taubin, G. (eds) Image and Geometry Processing for 3-D Cinematography. Geometry and Computing, vol 5. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-12392-4_2

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