Abstract
Can pictures be a candidate for knowledge media? After mentioning the background of this question in chapter one, we introduce in chapter two the idea of three kinds of knowledge, from discussion of a picture from a book of Dominic McIver Lopes (Lopes 2006) —that is, knowledge about, knowledge through and knowledge in—and point out its deficiencies. In chapter three, we then propose an alternative idea of pictures from which we obtain knowledge —that is, pictures as objects and facts, pictures as process and pictures as informational indicators—and find strong support for our proposal from various research fields and practices. Finally we conclude that we could think of pictures as a candidate for knowledge media.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Similar content being viewed by others
References
Ars Electronica Linz GmbH, Repair: sind wir noch zu retten, Linz (2010)
Currie, G.: Art works as action types. In: Lamarque & Olsen (2004), pp. 103–122 (1989)
Evans, G.: The varieties of reference. In: MacDowell, J. (ed.) Oxford (1982)
Fujihata, M.: What is drawing process studies? In: Drawing Process Studies. Department of Engineering, University of Tokyo (2008) (in Japanese)
Goel, V.: Sketches of thought. The MIT Press (1995)
Ishibashi, K., Okada, T.: Copying artworks as perceptual experience for creation. Cognitive Studies 11(1), 51–59 (2004) (in Japanese)
Ishibashi, K., Okada, T.: Facilitating creative drawings by copying art works by others. Cognitive Studies 17(1), 196–223 (2010) (in Japanese)
Iwasaki, H.: Biomedia Art: possibilities of synthetic biology from the point of aesthetics. Science Journal KAGAKU, 747–753 (July 2010) (in Japanese)
Katz, M.S.: Reconsidering images: using the farm security ad-ministration photographs as objects in history exhibitions. In: Dudley, S., et al. (eds.) The Thing About Museums: Objects and Experience, Representation and Contestation, Essays in Honour of Professor Susan M. Pearce, pp. 324–337, Routledge (2012)
Lamarque, P., Olsen, S.H.: Aesthetics and the philosophy of art. Blackwell (2004)
Lopes, D.M.: Understanding pictures. Oxford (1996)
Lopes, D.M.: Sight and sensibility: evaluating pictures. Oxford (2006)
Erwin, P.: Zum Problem der Beschreibung und Inhaltsdeutung von Werken der bildenden Kunst. In: Kraemmerling, E. (ed.) Ikonographie und Ikonologie: Theorien-Entwicklung-Probleme, Dumont (1932)
Pelowski, M., Akiba, F.: A model of art perception, evaluation and emotion in transformative aesthetic experience. New Ideas in Psychology 29(2), 80–97 (2011)
Schere, K.R.: Gefrorene Gefuehle: Zur Emotionsdarstellung in der bildenden Kunst. In: Boehm, G., et al. (eds.) Movens Bild: Zwischen Evidenz und Affekt, pp. 249–273. Wilhelm Fink (2008)
Stolnitz, J.: On the cognitive triviality of art, Lamar-que & Olsen, pp. 337–343. Blackwell (1992); (Reprinted in (2004))
Yokochi, S., Okada, T.: Creative expertise of contemporary artists. Cognitive Studies 14(3), 437–454 (2007) (in Japanese)
Zeimbekis, J.: Pictures and Singular Thought. Journal of Aesthetics and Art Criticism 68(1), 11–22 (2010)
Zeki, S.: Inner vision: an exploration of art and the brain. Oxford (1999)
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2012 Springer-Verlag Berlin Heidelberg
About this paper
Cite this paper
Akiba, F. (2012). Can Pictures Be a Candidate for Knowledge Media?. In: Watanabe, T., Watada, J., Takahashi, N., Howlett, R., Jain, L. (eds) Intelligent Interactive Multimedia: Systems and Services. Smart Innovation, Systems and Technologies, vol 14. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-29934-6_10
Download citation
DOI: https://doi.org/10.1007/978-3-642-29934-6_10
Publisher Name: Springer, Berlin, Heidelberg
Print ISBN: 978-3-642-29933-9
Online ISBN: 978-3-642-29934-6
eBook Packages: EngineeringEngineering (R0)