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T. S. Eliot on a CD-ROM: A narrative of the production of a CD

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Abstract

The authors developed a CD-ROM for use in the classroom, the computer lab, the library, or the personal computers of students and faculty. The subject of the CD is an interart study of music, art, and literature, specifically T. S. Eliot's The Waste Land. the authors trace their process of formulating the idea and conceptualizing the project. They also detail the initial stages of the project, including the time-intensive efforts of getting permissions for the materials. For the technology portion, they describe how the components were digitized, integrated, and tested. Finally, they discuss how they manufactured and marketed the product, closing with some evaluative comments.

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John K. Boaz is Emeritus Associate Vice President for Administrative Services and a former Director of Forensics in the Department of Communication at Illinois State University. He edited a serial for several years for the American Forensic Association and the Speech Communication Association, Championship Debates and Speeches, and he has most recently edited The Adlai E. Stevenson Memorial Lecture Series: The First Twenty five Years, 1966–1991 published by the University Press of America.

Mildred M. Boaz, a modern British literature specialist, is Professor of English and Chair of the Department of English at Millikin University. She has published on T. S. Eliot in The Centennial Review and The Journal of Aesthetic Education. She was also a contributor to the Modern Language Association's volume on Approaches to Teaching Eliot's Poetry and Plays.

Both are members of the T. S. Eliot Society.

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Boaz, J.K., Boaz, M.M. T. S. Eliot on a CD-ROM: A narrative of the production of a CD. Comput Hum 30, 131–138 (1996). https://doi.org/10.1007/BF00419789

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  • DOI: https://doi.org/10.1007/BF00419789

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