Abstract
The purpose of this paper is to deepen the understanding of interconnections among actors and artifacts in a music performance. To this end, this work presents a case study with four participants. Each participant created a piece using Puffin, a screen score system that allows for real-time generation of scores to be played by traditional instrumentalists. We collected field notes and interviews and formalized them with the support of ARCAA (Actors, Role, Context, Activities and Artifacts), a recently developed framework specifically developed for this purpose. By discussing the resulting ecology we highlight some possible design suggestions, including the importance of considering non-direct interaction with a digital system as fundamental for a good “usage” of a given musical system; the relevance of accounting for the entire ecology of artifacts; and that different conceptions of affordances should be used to understand different perspectives of an ecology (in our case, social and hidden affordances).
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Notes
We operated in Funchal, Madeira in Portugal.
The interviews analyzed the current study are not publicly available due to privacy issues as our participants are underage but are available from the corresponding author on reasonable request.
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Acknowledgements
We wish to acknowledge the four participants in the study. We also want to thank the reviewers for their useful and valuable insights to this paper. The first and second author acknowledges ARDITI - Agencia Regional para o Desenvolvimento e Tecnologia under the scope of the Project M1420-09-5369-FSE-000002 - PhD Studentship. We also acknowledges the support of LARSyS to this research (Projeto - UIDB/50009/2020). This work was also co-funded by FCT/MCTES NOVA LINCS PEst UID/CEC/04516/2019.
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Masu, R., Bettega, M., Correia, N.N. et al. Investigating performance ecologies using screen scores: a case study. Pers Ubiquit Comput 27, 1887–1907 (2023). https://doi.org/10.1007/s00779-023-01719-y
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DOI: https://doi.org/10.1007/s00779-023-01719-y