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Process polyphonia

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Abstract

 

Ten poems on process control in human-machine systems were garnished with three pieces of music composed around the theme EACE. They were performed during the social program of the 9th CSAPC conference 2003, Amsterdam, The Netherlands. Twenty-five peer referees seated in the audience decided that regarding the relevance of their themes, poems and music should become an integral part of the conference proceedings. It was concluded that cognitive and computer scientists are a remarkably open community when it comes to accepting different formats of insight.

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H.1.2 [Models and Principles]: User/Machine Systems–Human information processing

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Design, Human Factors, Evaluation

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References

  • Amitani S, Hori K (2002) Supporting musical composition by externalizing the composer’s mental space. In: Proceedings of 4th conference on creativity and cognition, Loughborough, ACM, New York, pp 165–172

  • Chatfield H, Donley C, Dickey W, Marcus S (1985) Poetry and computers. In: Proceedings of 1985 annual conference on the range of computing: mid-80’s perspective, Denver, ACM, New York, pp 178–180

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Acknowledgements

Andrew S. Tanenbaum (Computer Systems) is kindly acknowledged for proofreading an earlier draft of this manuscript.

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Correspondence to Johan F. Hoorn.

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Hoorn, J.F., Veer, G.C.v.d. Process polyphonia. Cogn Tech Work 7, 3–4 (2005). https://doi.org/10.1007/s10111-004-0170-2

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  • DOI: https://doi.org/10.1007/s10111-004-0170-2

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