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When noise becomes voice: designing interactive technology for crowd experiences through imitation and invention

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Abstract

In this paper, we present crowd experience as a novel concept when designing interactive technology for spectator crowds in public settings. Technology-mediated experiences in groups have already been given serious attention in the field of interaction design. However, crowd experiences are distinctive because of the spontaneous, uninhibited behavior exhibited. In crowds, extreme sociality and the experience of performing identity in public emerge spontaneously. By bridging crowd theory and pragmatics of experience, we establish an understanding of crowd experience as a distinct sociality within interaction design that unfolds through imitation and invention. We deploy that understanding in an exploration of spectator experiences at three football matches in which an experimental prototype, BannerBattle, was deployed. BannerBattle is an interactive banner on which spectators can grab space in competition with their rivals. The more noise and movement they make, the more screen real estate they gain. BannerBattle therefore enabled us to explore the emergence of imitative and at times inventive behavior in enriched crowd experience, by augmenting and supporting spectator performance in this way. We discuss the value of a conceptual understanding of crowd experience for technology as an unexplored potential for designing new interactive technology at spectator venues.

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Notes

  1. Tifos are collectively choreographed mosaics often made of several 100s of colored flags carried by the spectator crowd.

  2. See Veerasawmy and Iversen [60] for more discussions on BannerBattle and an introduction of crowd theory into interaction design.

  3. http://www.interactivespaces.net.

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Acknowledgments

This research has been supported by Aarhus University’s interdisciplinary research center Participatory IT, PIT. BannerBattle was developed in the iSport project, under ISIS2. We would like to thank our colleagues, who have helped with the project at the Centre for Interactive Spaces. We thank Aarhus Elite for their willingness to participate in our experiment, and interviewees and workshop participants for contributing knowledge to the project.

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Authors and Affiliations

  1. Department of Aesthetics and Communication, PIT and CAVI, Aarhus University, Århus, Denmark

    Rune Veerasawmy

  2. Department of Applied Psychology, University College Cork, Cork, Ireland

    John McCarthy

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  1. Rune Veerasawmy
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Correspondence to Rune Veerasawmy.

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Veerasawmy, R., McCarthy, J. When noise becomes voice: designing interactive technology for crowd experiences through imitation and invention. Pers Ubiquit Comput 18, 1601–1615 (2014). https://doi.org/10.1007/s00779-014-0761-8

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