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A video human-computer interface to record paintings in progress

Published: 30 July 2006 Publication History

Abstract

This communication describes a system to capture paintings in progress. An adapted algorithm based on statistical foreground substraction is used to mask the artist hand and his tools in image sequences. This allows a better understanding of the artist gesture and his mind.

References

[1]
Clouzot, H., 1956. The mystery of picasso. Filmsonor, France, Recipient of the Prix du Jury, Cannes Festival 1956.
[2]
Stauffer, C., and Grimson, W. 1999. Adaptive background mixture models for real-time tracking. In Proc. of the IEEE Conf. on Computer Vision and Pattern Recognition, vol. 2, 22--46.

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cover image ACM Conferences
SIGGRAPH '06: ACM SIGGRAPH 2006 Research posters
July 2006
217 pages
ISBN:1595933646
DOI:10.1145/1179622
Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 30 July 2006

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Author Tags

  1. foreground subtraction
  2. painting
  3. video interface

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