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Massh!: a web-based collective music mashup system

Published: 10 September 2008 Publication History

Abstract

Massh! is an online music software, which enables users to use any portions (i.e., loops) of sound data found on the Internet and mix them to make their own versions of songs (i.e., Mashup). Mashups made on this system can be also published as "blueprints" containing descriptions enough to reproduce the same result on other users' computers. Its distinctive visual user interface also provides highly interactive user experience, so that people with little music knowledge and experience can join the creative process of making music.

References

[1]
Massh! beta http://www.sonasphere.com/mash/.
[2]
M. Cooper and J. Foote. Automatic music summarization via similarity analysis. Proceedings of International Symposium on Music Information Retrieval, 2002.
[3]
Y. Miyajima. Music mosaic generator: Music remix system using high precision time-series metadata. Workshop on Interactive Systems and Software 2007.
[4]
K. Olsson. Ess library http://www.tree-axis.com/ess/.
[5]
A. Tanaka, N. Tokui, and A. Momeni. Facilitating collective musical creativity. Proceedings of the 13th annual ACM international conference, 2005.
[6]
Wikipedia. http://en.wikipedia.org/wiki/mashup_(music).

Cited By

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  • (2020)PopMash: an automatic musical-mashup system using computation of musical and lyrical agreement for transitionsMultimedia Tools and Applications10.1007/s11042-020-08934-279:29-30(21841-21871)Online publication date: 1-Aug-2020
  • (2018)Latent Topic Similarity for Music Retrieval and Its Application to a System that Supports DJ PerformanceJournal of Information Processing10.2197/ipsjjip.26.27626(276-284)Online publication date: 2018
  • (2016)MusicMixerProceedings, Part I, of the 22nd International Conference on MultiMedia Modeling - Volume 951610.1007/978-3-319-27671-7_59(698-709)Online publication date: 4-Jan-2016

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    cover image ACM Conferences
    DIMEA '08: Proceedings of the 3rd international conference on Digital Interactive Media in Entertainment and Arts
    September 2008
    551 pages
    ISBN:9781605582481
    DOI:10.1145/1413634
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

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    New York, NY, United States

    Publication History

    Published: 10 September 2008

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    Author Tags

    1. interactive music
    2. music mashup
    3. web-based music

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    DIMEA '08 Paper Acceptance Rate 59 of 77 submissions, 77%;
    Overall Acceptance Rate 59 of 77 submissions, 77%

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    Cited By

    View all
    • (2020)PopMash: an automatic musical-mashup system using computation of musical and lyrical agreement for transitionsMultimedia Tools and Applications10.1007/s11042-020-08934-279:29-30(21841-21871)Online publication date: 1-Aug-2020
    • (2018)Latent Topic Similarity for Music Retrieval and Its Application to a System that Supports DJ PerformanceJournal of Information Processing10.2197/ipsjjip.26.27626(276-284)Online publication date: 2018
    • (2016)MusicMixerProceedings, Part I, of the 22nd International Conference on MultiMedia Modeling - Volume 951610.1007/978-3-319-27671-7_59(698-709)Online publication date: 4-Jan-2016
    • (2015)MusicMixerProceedings of the 12th International Conference on Advances in Computer Entertainment Technology10.1145/2832932.2832942(1-5)Online publication date: 16-Nov-2015
    • (2014)AutoMashUpperIEEE/ACM Transactions on Audio, Speech and Language Processing10.1109/TASLP.2014.234713522:12(1726-1737)Online publication date: 1-Dec-2014
    • (2010)Graph grammar representation for collaborative sample-based music creationProceedings of the 5th Audio Mostly Conference: A Conference on Interaction with Sound10.1145/1859799.1859816(1-8)Online publication date: 15-Sep-2010

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