ABSTRACT
This paper will touch on the aspects that are present in the 'way of working' of Artists. A description is created using a black box approach and in-depth interviews with artists. A crucial role for consciousness was identified. The derived description enables a meaningful discussion on the act of creating. Calling this a model will do injustice to the highly intuitive and illusive event (or period) of artistic creation. Case studies and interviews used in this paper indicate that it holds meaning across various disciplines like Visual Arts, Architecture, Music, Performing arts, Painting, Writing, etc.
- Appel, Je bent er en je bent er niet (Not being there, yet being there) De schoonheid en de troost; VPRO 2000Google Scholar
- Wende Snijders (Dutch singer) TV Protrait: 'Wende Snijders' by Roel v Dalen IDTV & NPS 2011.Google Scholar
- Nathan Oliviera, Artist and Professor of arts at Stanford University; Interview by Michael Killen 2008 (Youtube)Google Scholar
- Salman Rushdie; Haroun and the sea of Stories (1990)Google Scholar
- Frederick Frank; Zen Seeing, Zen Drawing (1993); The Zen of Seeing (1973)Google Scholar
- Larry J Zimmerman; American Indians, (2003)Google Scholar
- Thich Nhat Hanh; Understanding our mind (2006)Google Scholar
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