ABSTRACT
This project arises from the practice of roaming - with physical movement, a slice though a digital drift. Dérives augmented with GPS, smart phones, encounters and social networking add informational pulls to the established situationist activity. As 'foreigners' to one another (delineated by Western Tradition to come from different academic/intellectual fields) Shepley and Rowland test their ideas to form flowing confluences of creativity.
Through an emergent and disruptive anti-disciplinary collaboration Shepley and Rowland create an intersection of 'visualized data' which seems to both enhance (and hamper) its own logic -- i.e. an interactive format for community and belonging. However, the work being less about an 'art language' and more about conversations as travelers in data, 'foreign' to one another appears to enliven a belief in our own connections and capacity to question.
Live data feed of viewers' interactions with the work in the space through e.g. motion sensors will merge with other live data streams measuring e.g. temperature, and combine in a visual data feed over time to produce a living and emergent image of interactions.
Index Terms
- Peregrination
Recommendations
From Data Realism to Dada Aggregations: Visualizations in Digital Art, Humanities and Popular Culture
IV '10: Proceedings of the 2010 14th International Conference Information VisualisationThe orientation towards data in arts, humanities and pop culture in recent years brings a renewed interest in realism and iconoclasm. The various APIs (Application programming interfaces) and mashups that are employed in these traditionally “qualitative”...
Engineering ethical behaviors in autonomous industrial cyber-physical human systems
AbstractThis paper addresses the engineering of the ethical behaviors of autonomous industrial cyber-physical human systems in the context of Industry 4.0. An ethical controller is proposed to be embedded into these autonomous systems, to enable their ...
The datafication of the worldview
AbstractThe goal of this article is twofold. First, it aims at sketching the outlines of material hermeneutics as a three-level analysis of technological artefacts. In the first section, we introduce Erwin Panofsky’s three levels of interpretation of an ...
Comments