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Improvising with an Audience-Controlled Robot Performer

Published: 08 June 2018 Publication History

Abstract

In improvisational theatre (improv), actors perform unscripted scenes together, collectively creating a narrative. Audience suggestions introduce randomness and build audience engagement, but can be challenging to mediate at scale. We present Robot Improv Puppet Theatre (RIPT), which includes a performance robot (Pokey) who performs gestures and dialogue in short-form improv scenes based on audience input from a mobile interface. We evaluated RIPT in several initial informal performances, and in a rehearsal with seven professional improvisers. The improvisers noted how audience prompts can have a big impact on the scene - highlighting the delicate balance between ambiguity and constraints in improv. The open structure of RIPT performances allows for multiple interpretations of how to perform with Pokey, including one-on-one conversations or multi-performer scenes. While Pokey lacks key qualities of a good improviser, improvisers found his serendipitous dialogue and gestures particularly rewarding.

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Cited By

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  • (2022)Robot Mediation of Performer-Audience Dynamics in Live-Streamed PerformancesProceedings of the 2022 ACM/IEEE International Conference on Human-Robot Interaction10.5555/3523760.3523949(1130-1134)Online publication date: 7-Mar-2022
  • (2022)Sharing the SpotlightProceedings of the 2022 ACM/IEEE International Conference on Human-Robot Interaction10.5555/3523760.3523832(551-560)Online publication date: 7-Mar-2022
  • (2022)Robotic Improvisers: Rule-Based Improvisation and Emergent Behaviour in HRI2022 17th ACM/IEEE International Conference on Human-Robot Interaction (HRI)10.1109/HRI53351.2022.9889624(561-569)Online publication date: 7-Mar-2022
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    cover image ACM Conferences
    DIS '18: Proceedings of the 2018 Designing Interactive Systems Conference
    June 2018
    1418 pages
    ISBN:9781450351980
    DOI:10.1145/3196709
    Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

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    Publication History

    Published: 08 June 2018

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    Author Tags

    1. creativity-support tools
    2. crowdsourcing
    3. human-robot interaction
    4. improvised theatre

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    • NSERC Discovery Grant

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    Acceptance Rates

    DIS '18 Paper Acceptance Rate 107 of 487 submissions, 22%;
    Overall Acceptance Rate 1,158 of 4,684 submissions, 25%

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    DIS '25
    Designing Interactive Systems Conference
    July 5 - 9, 2025
    Funchal , Portugal

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    Cited By

    View all
    • (2022)Robot Mediation of Performer-Audience Dynamics in Live-Streamed PerformancesProceedings of the 2022 ACM/IEEE International Conference on Human-Robot Interaction10.5555/3523760.3523949(1130-1134)Online publication date: 7-Mar-2022
    • (2022)Sharing the SpotlightProceedings of the 2022 ACM/IEEE International Conference on Human-Robot Interaction10.5555/3523760.3523832(551-560)Online publication date: 7-Mar-2022
    • (2022)Robotic Improvisers: Rule-Based Improvisation and Emergent Behaviour in HRI2022 17th ACM/IEEE International Conference on Human-Robot Interaction (HRI)10.1109/HRI53351.2022.9889624(561-569)Online publication date: 7-Mar-2022
    • (2022)Robot Mediation of Performer-Audience Dynamics in Live-Streamed Performances2022 17th ACM/IEEE International Conference on Human-Robot Interaction (HRI)10.1109/HRI53351.2022.9889588(1130-1134)Online publication date: 7-Mar-2022
    • (2022)Sharing the Spotlight: Co-presenting with a Humanoid Robot2022 17th ACM/IEEE International Conference on Human-Robot Interaction (HRI)10.1109/HRI53351.2022.9889400(551-560)Online publication date: 7-Mar-2022
    • (2021)Bridging the collectives: A review of collective human–robot constructionInternational Journal of Architectural Computing10.1177/1478077121102515319:4(512-531)Online publication date: 25-Nov-2021
    • (2021)The Artefact on Stage – Object Theatre and Philosophy of Engineering and TechnologyEngineering and Philosophy10.1007/978-3-030-70099-7_16(309-321)Online publication date: 15-May-2021
    • (2020)Toward Live Streamed Improvisational Game ExperiencesProceedings of the Annual Symposium on Computer-Human Interaction in Play10.1145/3410404.3414226(148-159)Online publication date: 2-Nov-2020
    • (2019)Negotiating the Creative Space in Human-Robot Collaborative DesignProceedings of the 2019 on Designing Interactive Systems Conference10.1145/3322276.3322343(645-657)Online publication date: 18-Jun-2019
    • (2019)Beyond the Bare StageProceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction10.1145/3294109.3295631(35-43)Online publication date: 17-Mar-2019

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