skip to main content
10.1145/3243274.3243291acmotherconferencesArticle/Chapter ViewAbstractPublication PagesamConference Proceedingsconference-collections
research-article

Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective

Authors Info & Claims
Published:12 September 2018Publication History

ABSTRACT

Nowadays, a number of online music databases are available under Creative Commons licenses (e.g. Jamendo, ccMixter). Typically, it is possible to navigate and play their content through search interfaces based on metadata and file-wide tags. However, because this music is largely unknown, additional methods of discovery need to be explored. In this paper, we focus on a use case for music learners. We present a web app prototype that allows novice and expert musicians to discover songs in Jamendo's music collection by specifying a set of chords. Its purpose is to provide a more pleasurable practice experience by suggesting novel songs to play along with, instead of practising isolated chords or with the same song over and over again. To handle less chord-oriented songs and transcription errors that inevitably arise from the automatic chord estimation used to populate the database, query results are ranked according to a computational confidence measure. In order to assess the validity of the confidence ranked system, we conducted a small pilot user study to assess its usefulness. Drawing on those preliminary findings, we identify some design recommendations for future applications of music learning and music search engines focusing on the user experience when interacting with sound.

References

  1. M. Barthet, A. Anglade, G. Fazekas, S. Kolozali, and R. Macrae. 2011. Music Recommendation for Music Learning: Hotttabs, a Multimedia Guitar Tutor. In Workshop on Music Recommendation and Discovery. 7--13.Google ScholarGoogle Scholar
  2. M. Barthet, M. D. Plumbley, A. Kachkaev, J. Dykes, D. Wolff, and T. Weyde. 2014. Big Chord Data Extraction and Mining. In Proceedings of the 9th Conference on Interdisciplinary Musicology.Google ScholarGoogle Scholar
  3. M. A. Casey, R. Veltkamp, M. Goto, M. Leman, C. Rhodes, and M. Slaney. 2008. Content-based Music Information Retrieval: Current Directions and Future Challenges. Proceedings of the IEEE 96 96, 4 (2008), 668--696.Google ScholarGoogle Scholar
  4. B. de Haas, J. P. Magalhaes, D. Ten Heggeler, G. Bekenkamp, and T. Ruizendaal. 2014. Chordify: Chord Transcription for the Masses. In Proceedings of the 13th International Conference on Music Information Retrieval Late Breaking and Demo Session.Google ScholarGoogle Scholar
  5. F. Font, T. Brookes, G. Fazekas, M. Guerber, A. La Burthe, D. Plans, M. D. Plumbley, M. Shaashua, W. Wang, and X. Serra. 2016. Audio Commons: Bringing Creative Commons Audio Content to the Creative Industries. In Proceedings of the 61st AES International Conference: Audio for Games. Audio Engineering Society.Google ScholarGoogle Scholar
  6. F. Font and X. Serra. 2016. Tempo Estimation for Music Loops and a Simple Confidence Measure. In Proceedings of the 17th International Conference on Music Information Retrieval. 269--275.Google ScholarGoogle Scholar
  7. J-S. R. Jang, H-R. Lee, and J-C. Chen. 2001. Super MBox: An Efficient/Effective Content-Based Music Retrieval System. In Proceedings of the Ninth ACM International Conference on Multimedia. 636--637. Google ScholarGoogle ScholarDigital LibraryDigital Library
  8. P. Knees, T. Pohle, M. Schedl, and G. Widmer. 2007. A Music Search Engine Built upon Audio-based and Web-based Similarity Measures. In Proceedings of the 30th Annual International ACM SIGIR Conference on Research and Development in Information Retrieval. 447--454. Google ScholarGoogle ScholarDigital LibraryDigital Library
  9. L. Lessig. 2004. Free Culture: How Big Media Uses Technology and the Law to Lock Down Culture and Control Creativity. The Penguin Press.Google ScholarGoogle Scholar
  10. M. Mauch, C. Cannam, M. Davies, S. Dixon, C. Harte, S. Kolozali, D. Tidhar, and M. Sandler. 2009. OMRAS2 Metadata Project 2009. In Proceedings of the 10th International Conference on Music Information Retrieval.Google ScholarGoogle Scholar
  11. Jakob Nielsen and Thomas K. Landauer. 1993. A Mathematical Model of the Finding of Usability Problems. In Proceedings of the INTERACT '93 and CHI '93 Conference on Human Factors in Computing Systems. 206--213. Google ScholarGoogle ScholarDigital LibraryDigital Library
  12. J. Pauwels, G. Fazekas, and M. B. Sandler. 2018. Recommending Songs to Music Learners Based on Chord Content. In Proceedings of the 2018 Joint Workshop on Machine Learning for Music.Google ScholarGoogle Scholar
  13. J. Pauwels, K. O. Johan, G. Fazekas, and M. B. Sandler. 2017. Confidence Measures and Their Applications in Music Labelling Systems Based on Hidden Markov Models. In Proceedings of the 18th International Conference on Music Information Retrieval. 279--285.Google ScholarGoogle Scholar
  14. J. Pauwels, A. Xambó, G. Roma, M. Barthet, and G. Fazekas. 2018. Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection. In Proceedings of the Web Audio Conference.Google ScholarGoogle Scholar
  15. C. C. Preston and A. M. Colman. 2000. Optimal Number of Response Categories in Rating Scales: Reliability, Validity, Discriminating Power, and Respondent Preferences. Acta Psychologica 104, 1 (2000), 1--15.Google ScholarGoogle ScholarCross RefCross Ref
  16. G. Tzanetakis and P. Cook. 2000. 3D Graphics Tools for Sound Collections. In Proceedings of the Conference on Digital Audio Effects.Google ScholarGoogle Scholar
  17. C. West. 2013. Motivating Music Students: A Review of the Literature. Update: Applications of Research in Music Education 31, 2 (2013), 11--19.Google ScholarGoogle ScholarCross RefCross Ref
  18. F. Wilcoxon. 1945. Individual Comparisons by Ranking Methods. Biometrics Bulletin 1, 6 (December 1945), 80--83.Google ScholarGoogle ScholarCross RefCross Ref
  19. E. Wold, T. Blum, D. Keislar, and J. Wheaten. 1996. Content-based Classification, Search, and Retrieval of Audio. IEEE Multimedia 3, 3 (1996), 27--36. Google ScholarGoogle ScholarDigital LibraryDigital Library

Index Terms

  1. Jam with Jamendo: Querying a Large Music Collection by Chords from a Learner's Perspective

        Recommendations

        Comments

        Login options

        Check if you have access through your login credentials or your institution to get full access on this article.

        Sign in
        • Published in

          cover image ACM Other conferences
          AM '18: Proceedings of the Audio Mostly 2018 on Sound in Immersion and Emotion
          September 2018
          252 pages
          ISBN:9781450366090
          DOI:10.1145/3243274

          Copyright © 2018 ACM

          Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than ACM must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected]

          Publisher

          Association for Computing Machinery

          New York, NY, United States

          Publication History

          • Published: 12 September 2018

          Permissions

          Request permissions about this article.

          Request Permissions

          Check for updates

          Qualifiers

          • research-article
          • Research
          • Refereed limited

          Acceptance Rates

          Overall Acceptance Rate177of275submissions,64%

        PDF Format

        View or Download as a PDF file.

        PDF

        eReader

        View online with eReader.

        eReader