research-article

Beyond the Bare Stage: Exploring Props as Potential Improviser-Controlled Technology

Authors:

Claire Mikalauskas,

Lora OehlbergAuthors Info & Claims

TEI '19: Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction

Pages 35 - 43

https://doi.org/10.1145/3294109.3295631

Published: 17 March 2019 Publication History

Abstract

While improvised theatre (improv) is often performed on a bare stage, improvisers sometimes incorporate physical props to inspire new directions for a scene and to enrich their performance. A tech booth can improvise light and sound technical elements, but coordinating with improvisers' actions on-stage is challenging. Our goal is to inform the design of an augmented prop that lets improvisers tangibly control light and sound technical elements while performing. We interviewed five professional improvisers about their use of physical props in improv, and their expectations of a possible augmented prop that controls technical theatre elements. We propose a set of guidelines for the design of an augmented prop that fits with the existing world of unpredictable improvised performance.

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Cited By

Ferreira VPaiva LPaiva AOliveira RMendes MMaia I(2020)Authoring and Visualization Tool for Augmented Scenic Performances Prototyping and Experience2020 22nd Symposium on Virtual and Augmented Reality (SVR)10.1109/SVR51698.2020.00068(413-419)Online publication date: Nov-2020
https://doi.org/10.1109/SVR51698.2020.00068

Index Terms

Beyond the Bare Stage: Exploring Props as Potential Improviser-Controlled Technology
1. Human-centered computing
  1. Interaction design
    1. Interaction design process and methods
      1. User centered design

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Published In

cover image ACM Conferences

TEI '19: Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction

March 2019

785 pages

ISBN:9781450361965

DOI:10.1145/3294109

General Chairs:
Stacey Kuznetsov
Arizona State University, USA
,
Daniel Saakes
KAIST, South Korea
,
Ron Wakkary
Simon Fraser University, Canada & Eindhoven University of Technology, the Netherlands
,
Program Chairs:
Luc Geurts
KU Leuven, Belgium
,
Lauren Hayes
Arizona State University, USA
,
Manfred Lau
Lancaster University, UK & City University of Hong Kong, Hong Kong

Copyright © 2019 ACM.

Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

Sponsors

SIGCHI: ACM Special Interest Group on Computer-Human Interaction

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 17 March 2019

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Funding Sources

NSERC Discovery Grant

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TEI '19

Sponsor:

SIGCHI

TEI '19: Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction

March 17 - 20, 2019

Arizona, Tempe, USA

Acceptance Rates

TEI '19 Paper Acceptance Rate 36 of 110 submissions, 33%;

Overall Acceptance Rate 393 of 1,367 submissions, 29%

Upcoming Conference

TEI '25

Sponsor:
sigchi

Nineteenth International Conference on Tangible, Embedded, and Embodied Interaction

March 4 - 7, 2025

Bordeaux / Talence , France

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Cited By

Ferreira VPaiva LPaiva AOliveira RMendes MMaia I(2020)Authoring and Visualization Tool for Augmented Scenic Performances Prototyping and Experience2020 22nd Symposium on Virtual and Augmented Reality (SVR)10.1109/SVR51698.2020.00068(413-419)Online publication date: Nov-2020
https://doi.org/10.1109/SVR51698.2020.00068

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