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abstract

Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures

Published: 17 March 2019 Publication History

Abstract

In this workshop, participants will try their hand at a variety of tangible, embodied, and embedded sensing and feedback technologies including vibrotactile instruments, expressive mechatronics, gesturally modulated fields of light, sound, mist; realtime steerable immersive atmospheres. Working through hands-on experience by theme, participants will be introduced to compositional and experimental methodologies. In the second half of the workshop, participants will compose together some simple "ecosystems" using the Synthesis Center's hardware-software media choreography architecture (sc), in the iStage experimental theater-scale blackbox space.

References

[1]
Lauren Hayes. 2014. Audio-Haptic Relationships as Compositional and Performance Strategies. Ph.D. Dissertation.
[2]
Lauren Hayes. 2015. Skin Music (2012): an Audio-Haptic Composition for Ears and Body. In Proceedings of 2015 ACM SIGCHI Conference on Creativity and Cognition. ACM, 359--360.
[3]
Lauren Hayes and Jessica Rajko. 2017. Towards an Aesthetics of Touch. In Proceedings of the 4th International Conference on Movement Computing (MOCO '17). ACM, New York, NY, USA, Article 22, 8 pages.
[4]
Garrett Laroy Johnson, Britta Joy Peterson, Todd Ingalls, and Sha Xin Wei. 2018. Lanterns: An Enacted and Material Approach to Ensemble Group Activity with Responsive Media. In Proceedings of the 5th International Conference on Movement and Computing (MOCO '18). ACM, New York, NY, USA, Article 37, 4 pages.
[5]
Brandon Mechtley, Christopher Roberts, Julian Stein, Ben Nandin, and Xin Wei Sha. 2018. Enactive Steering of an Experiential Model of the Atmosphere. In Proceedings of the International Conference on Virtual and Mixed Reality (VAMR). Springer, Cham.
[6]
Seth Thorn. 2018. Alto.Glove: New Techniques for Augmented Violin. In Proceedings of the International Conference on New Interfaces for Musical Expression. Blacksburg.
[7]
Seth Thorn. 2019. A Computational System for Violin: Synthesis and Dissolution in Windowless. Leonardo Music Journal (2019).
[8]
Sha Xin Wei. 2013. Poeisis and Enchantment in Topological Matter. MIT Press.
[9]
Sha Xin Wei. 2016. Theater Without Organs: Co-Articulating Gesture and Substrate in Responsive Environments. In Living Architecture Systems Group White Papers.

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Published In

cover image ACM Conferences
TEI '19: Proceedings of the Thirteenth International Conference on Tangible, Embedded, and Embodied Interaction
March 2019
785 pages
ISBN:9781450361965
DOI:10.1145/3294109
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Association for Computing Machinery

New York, NY, United States

Publication History

Published: 17 March 2019

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Author Tags

  1. ecosystemic design
  2. electronic music
  3. ensemble
  4. ethico-aesthetic
  5. gestural media
  6. gesture
  7. haptics
  8. immersive environment
  9. mixed reality
  10. movement and computing
  11. new materialism
  12. performance
  13. play
  14. realtime media
  15. responsive environment
  16. responsive media
  17. sensors
  18. touch

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TEI '19
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TEI '19 Paper Acceptance Rate 36 of 110 submissions, 33%;
Overall Acceptance Rate 393 of 1,367 submissions, 29%

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