ABSTRACT
In this workshop, participants will try their hand at a variety of tangible, embodied, and embedded sensing and feedback technologies including vibrotactile instruments, expressive mechatronics, gesturally modulated fields of light, sound, mist; realtime steerable immersive atmospheres. Working through hands-on experience by theme, participants will be introduced to compositional and experimental methodologies. In the second half of the workshop, participants will compose together some simple "ecosystems" using the Synthesis Center's hardware-software media choreography architecture (sc), in the iStage experimental theater-scale blackbox space.
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- Lauren Hayes. 2015. Skin Music (2012): an Audio-Haptic Composition for Ears and Body. In Proceedings of 2015 ACM SIGCHI Conference on Creativity and Cognition. ACM, 359--360. Google ScholarDigital Library
- Lauren Hayes and Jessica Rajko. 2017. Towards an Aesthetics of Touch. In Proceedings of the 4th International Conference on Movement Computing (MOCO '17). ACM, New York, NY, USA, Article 22, 8 pages. Google ScholarDigital Library
- Garrett Laroy Johnson, Britta Joy Peterson, Todd Ingalls, and Sha Xin Wei. 2018. Lanterns: An Enacted and Material Approach to Ensemble Group Activity with Responsive Media. In Proceedings of the 5th International Conference on Movement and Computing (MOCO '18). ACM, New York, NY, USA, Article 37, 4 pages. Google ScholarDigital Library
- Brandon Mechtley, Christopher Roberts, Julian Stein, Ben Nandin, and Xin Wei Sha. 2018. Enactive Steering of an Experiential Model of the Atmosphere. In Proceedings of the International Conference on Virtual and Mixed Reality (VAMR). Springer, Cham.Google ScholarCross Ref
- Seth Thorn. 2018. Alto.Glove: New Techniques for Augmented Violin. In Proceedings of the International Conference on New Interfaces for Musical Expression. Blacksburg.Google Scholar
- Seth Thorn. 2019. A Computational System for Violin: Synthesis and Dissolution in Windowless. Leonardo Music Journal (2019).Google Scholar
- Sha Xin Wei. 2013. Poeisis and Enchantment in Topological Matter. MIT Press. Google ScholarDigital Library
- Sha Xin Wei. 2016. Theater Without Organs: Co-Articulating Gesture and Substrate in Responsive Environments. In Living Architecture Systems Group White Papers.Google Scholar
Index Terms
- Composing Ecosystemically in Responsive Environments with Gestural Media, Objects and Textures
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