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A New Audio-Visual Gestural Instrument for Unlocking Creativity

Published:25 April 2020Publication History

ABSTRACT

The AirSticks are an audio-visual gestural instrument de- signed to inspire the improvisation and performance of real- time explorative electronic music through subtle and not-so- subtle physical movement. The instrument has been used professionally across the world. In doing so the designers have created hundreds of mappings of movement to sound, along with a real-time visualisation system that uses the same movement data from handheld motion controllers to unify the sound, graphics and movement. The instrument has shown to have a broad appeal beyond professional practice, which has led to hands-on demos with children through to older people. We invite visitors, for the first time, to play not only with the AirSticks, but also with the latest iteration of our audio-visual system, to inspire new collaborations in the field of computer-human interaction. We argue that we need more new tools to unlock people's creativity through moving, listening and music making.

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References

  1. Sidney Fels. 2004. Designing for intimacy: Creating new interfaces for musical expression. Proc. IEEE 92, 4 (2004), 672--685.Google ScholarGoogle ScholarCross RefCross Ref
  2. Alon Ilsar. 2018. The AirSticks: A New Instrument for Live Electronic Percussion Within an Ensemble. PhD Thesis. University of Technology Sydney. http://hdl.handle.net/10453/125647Google ScholarGoogle Scholar
  3. Gail Kenning, Alon Ilsar, Rens Brankaert, and Mark Evans. 2019. Improvisation and Reciprocal Design: Soundplay for Dementia. In Dementia Lab 2019. Making Design Work: Engaging with Dementia in Context, Rens Brankaert and Wijnand IJsselsteijn (Eds.). Springer International Publishing, Cham, 82--91.Google ScholarGoogle ScholarCross RefCross Ref
  4. Sile O'modhrain. 2011. A framework for the evaluation of digital musical instruments. Computer Music Journal 35, 1 (2011), 28--42.Google ScholarGoogle ScholarDigital LibraryDigital Library
  5. Joseph Rovan and Rovan Hayward. 2000. Typology of Tactile Sounds and their Synthesis in Gesture-Driven Computer Music Performance. In Trends in Gestural Control of Music, Marcelo M Wanderley and Marc Battier (Eds.). 297--320.Google ScholarGoogle Scholar

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      • Published in

        cover image ACM Conferences
        CHI EA '20: Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems
        April 2020
        4474 pages
        ISBN:9781450368193
        DOI:10.1145/3334480

        Copyright © 2020 Owner/Author

        Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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        Association for Computing Machinery

        New York, NY, United States

        Publication History

        • Published: 25 April 2020

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        Overall Acceptance Rate6,164of23,696submissions,26%

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