skip to main content
10.1145/3359852.3359952acmotherconferencesArticle/Chapter ViewAbstractPublication PagesartechConference Proceedingsconference-collections
demonstration

Stop and Care: Changing Behaviours Through Participatory Interaction

Authors Info & Claims
Published:13 February 2020Publication History

ABSTRACT

Stop and Care is part of a project that aims to raise awareness for the urgent matter of water pollution and to change its audience behaviour towards it. The Stop and Care output is a visual composition that represents solid waste floating on water and the amount of pollution in it will depend on its audience. The audience has an active role as the visual environment adapts to their behaviour, representing the impact of the individual care on this subject. By creating a relation between artifact and audience through participatory interaction, we aim to build an experience that goes beyond the moment of the interaction with the artifact and extends to the change of habits of each participant in the future.

References

  1. 2018. extinction rebellion. https://xrebellion.org/. Accessed: 2019-06-13.Google ScholarGoogle Scholar
  2. 2018. Living Among What's Left Behind. https://www.worldpressphoto.org/collection/photo/2019/37686/1/Mario-Cruz. Accessed: 2019-06-01.Google ScholarGoogle Scholar
  3. 2019. Greta Thunberg: The Swedish teen inspiring climate strikes. https://www.bbc.com/news/av/world-europe-47231271/greta-thunberg-the-swedish-teen-inspiring-climate-strikes. Accessed: 2019-06-15.Google ScholarGoogle Scholar
  4. Alex Adriaansens and Joke Brouwer. 2002. Alien Relationships from Public Space: A Winding Dialog with Rafael Lozano-Hemmer. Transurbanism, NAI Publishers, Rotterdam (2002).Google ScholarGoogle Scholar
  5. Helen Armstrong. 2016. Digital Design Theory: Readings from the Field. Princeton Architectural Press.Google ScholarGoogle Scholar
  6. Pratima Bansal. 2003. From issues to actions: The importance of individual concerns and organizational values in responding to natural environmental issues. Organization Science 14, 5 (2003), 510--527.Google ScholarGoogle ScholarDigital LibraryDigital Library
  7. Tine Bech. 2012. Interactivity, Play and Audience Engagement. Leonardo Electronic Almanac 18, 3 (2012).Google ScholarGoogle Scholar
  8. Claire Bishop. 2006. Participation.Google ScholarGoogle Scholar
  9. Josephine Bosma. 2006. Art as experience: Meet the active audience. Network art: Practices and positions (2006).Google ScholarGoogle Scholar
  10. Ben Fry and Casey Reas. 2001. Processing. https://processing.org/Google ScholarGoogle Scholar
  11. Zachary Lieberman, Theo Watson, and Arturo Castro. 2005. openFrameworks. https://openframeworks.cc/Google ScholarGoogle Scholar
  12. Ellen MacArthur. 2018. Why our throwaway culture has to end. https://www.nationalgeographic.co.uk/environment-and-conservation/2018/06/why-our-throwaway-culture-has-end. Accessed: 2019-06-10.Google ScholarGoogle Scholar
  13. Matt McGrath. 2018. Final call to save the world from 'climate catastrophe'. https://www.bbc.com/news/science-environment-45775309. Accessed: 2019-06-10.Google ScholarGoogle Scholar
  14. Janet H Murray. 2011. Inventing the medium: principles of interaction design as a cultural practice. Mit Press.Google ScholarGoogle Scholar
  15. Adrian Shaughnessy. 2013. Scratching the Surface. Unit Editions.Google ScholarGoogle Scholar
  16. UN. 2018. Goal 13: Take urgent action to combat climate change and its impacts. https://www.un.org/sustainabledevelopment/climate-change/. Accessed: 2019-06-13.Google ScholarGoogle Scholar

Index Terms

  1. Stop and Care: Changing Behaviours Through Participatory Interaction

          Recommendations

          Comments

          Login options

          Check if you have access through your login credentials or your institution to get full access on this article.

          Sign in
          • Published in

            cover image ACM Other conferences
            ARTECH '19: Proceedings of the 9th International Conference on Digital and Interactive Arts
            October 2019
            571 pages

            Copyright © 2019 Owner/Author

            Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

            Publisher

            Association for Computing Machinery

            New York, NY, United States

            Publication History

            • Published: 13 February 2020

            Check for updates

            Qualifiers

            • demonstration
            • Research
            • Refereed limited

            Acceptance Rates

            ARTECH '19 Paper Acceptance Rate95of174submissions,55%Overall Acceptance Rate128of238submissions,54%
          • Article Metrics

            • Downloads (Last 12 months)0
            • Downloads (Last 6 weeks)0

            Other Metrics

          PDF Format

          View or Download as a PDF file.

          PDF

          eReader

          View online with eReader.

          eReader