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Creation and Live Performance of Dance and Music Based on a Body-part Motion Synthesis System

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VRCAI '19: Proceedings of the 17th ACM SIGGRAPH International Conference on Virtual-Reality Continuum and its Applications in Industry

Article No.: 42, Pages 1 - 2

https://doi.org/10.1145/3359997.3365749

Published: 14 November 2019 Publication History

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VRCAI '19: Proceedings of the 17th ACM SIGGRAPH International Conference on Virtual-Reality Continuum and its Applications in Industry

Creation and Live Performance of Dance and Music Based on a Body-part Motion Synthesis System

Pages 1 - 2

Abstract
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Abstract

We developed a Body-part Motion Synthesis System (BMSS), which allows users to create choreography by synthesizing body-part motions and to simulate them in 3D animation. To explore the possibilities of using BMSS for creative activities, two dances with different concepts were created and performed by a dancer and a musician. We confirmed that BMSS might be able to generate effective choreographic motions for dance and easily and quickly to support its creation. Moreover, creation using BMSS might fuel new collaboration or interaction between dancers and musicians.

References

[1]

R. Fan and S. Xu. 2012. Example-Based Automatic Music-Driven Conventional Dance Motion Synthesis. IEEE Transactions on Visualization and Computer Graphics 18, 3 (Jan. 2012), 501–515.

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[2]

M. C. Felice, S. F. Alaoui, and W. E. Mackay. 2018. Knotation: Exploring and Documenting Choreographic Processes. In Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems. 1–12.

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[3]

N. Iwamoto, T. Kato, H. P. H. Shum, R. Kakitsuka, K. Hara, and S. Morishima. 2017. DanceDJ: A 3D Dance Animation Authoring System for Live Performance. In Proceedings of the 2017 International Conference on Advances in Computer Entertainment Technology. 653–670.

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A. Soga, B. Umino, Y. Yazaki, and M. Hirayama. 2016. Body-part Motion Synthesis System and its Evaluation for Discovery Learning of Dance. IEICE Transactions on Information and Systems E99-D, 4 (April 2016), 1024–1031.

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Creation and Live Performance of Dance and Music Based on a Body-part Motion Synthesis System

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Published In

VRCAI '19: Proceedings of the 17th ACM SIGGRAPH International Conference on Virtual-Reality Continuum and its Applications in Industry

November 2019

354 pages

ISBN:9781450370028

DOI:10.1145/3359997

Conference Chairs:
Joaquim Jorge
INESC/ID & Univ Lisboa, Portugal
,
June Kim
University of New South Wales, Australia
,
Herman Van Eyken
Griffith University, Queensland, Australia
,
Editor:
Stephen N. Spencer
University of Washington
,
Program Chairs:
Mashhuda Glencross
University of Queensland, Australia
,
Kenny Mitchell
Disney Research, USA and Edinburgh Napier University, UK
,
Takuji Narumi
University of Tokyo, Japan

Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

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Association for Computing Machinery

New York, NY, United States

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Published: 14 November 2019

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JSPS KAKENHI

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VRCAI '19

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SIGGRAPH

VRCAI '19: The 17th International Conference on Virtual-Reality Continuum and its Applications in Industry

November 14 - 16, 2019

QLD, Brisbane, Australia

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Abstract

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Recommendations

Experimental Creation of Contemporary Dance Works Using a Body-part Motion Synthesis System

Body-part motion synthesis system for contemporary dance creation

Sketch-Based Dance Choreography

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