research-article

Augmenting TV Viewing using Acoustically Transparent Auditory Headsets

Authors:

Florian Mathis,

Mohamed Khamis,

Julie WilliamsonAuthors Info & Claims

IMX '20: Proceedings of the 2020 ACM International Conference on Interactive Media Experiences

Pages 34 - 44

https://doi.org/10.1145/3391614.3393650

Published: 17 June 2020 Publication History

Abstract

This paper explores how acoustically transparent auditory headsets can improve TV viewing by intermixing headset and TV audio, facilitating personal, private auditory enhancements and augmentations of TV content whilst minimizing occlusion of the sounds of reality. We evaluate the impact of synchronously mirroring select audio channels from the 5.1 mix (dialogue, environmental sounds, and the full mix), and selectively augmenting TV viewing with additional speech (e.g. Audio Description, Directors Commentary, and Alternate Language). For TV content, auditory headsets enable better spatialization and more immersive, enjoyable viewing; the intermixing of TV and headset audio creates unique listening experiences; and private augmentations offer new ways to (re)watch content with others. Finally, we reflect on how these headsets might facilitate more immersive augmented TV viewing experiences within reach of consumers.

Supplementary Material

MP4 File (p34-mcgill-supplement.mp4)

Download
74.35 MB

References

[1]

Valentin Bauer, Anna Nagele, Chris Baume, Tim Cowlishaw, Henry Cooke, Chris Pike, and Patrick G. T. Healey. 2019. Designing an Interactive and Collaborative Experience in Audio Augmented Reality. 305–311. https://doi.org/10.1007/978-3-030-31908-3_20

Digital Library

[2]

BBC. 2019. Access services at the BBC. https://www.bbc.com/aboutthebbc/whatwedo/publicservices/accessservices#audiodescription

[3]

D. R. Begault, E. M. Wenzel, and M. R. Anderson. 2001. Direct comparison of the impact of head tracking, reverberation, and individualized head-related transfer functions on the spatial perception of a virtual speech source. AES: Journal of the Audio Engineering Society 49, 10 (2001), 904–916. http://www.aes.org/e-lib/browse.cfm?elib=10175

[4]

Bose. 2019. SoundWear Companion Wearable Speaker. https://www.bose.co.uk/en_gb/products/speakers/portable_speakers/soundwear-companion.html

[5]

Bose. 2019. Wearables by Bose - AR Audio Sunglasses. https://www.bose.co.uk/en_gb/products/frames.html

[6]

Rosie Campbell, Richard Felton, and Charlotte Hoarse. 2014. Smart Wallpaper. file:///C:/Users/Mark/Downloads/IF_110.pdf

[7]

Francesco Cricri, Sujeet Mate, Igor D. D. Curcio, and Moncef Gabbouj. 2009. Mobile and Interactive Social Television â€” A virtual TV room. In 2009 IEEE International Symposium on a World of Wireless, Mobile and Multimedia Networks & Workshops. IEEE, 1–8. https://doi.org/10.1109/WOWMOM.2009.5282411

[8]

Poppy Crum. 2019. Hearables: Here come the: Technology tucked inside your ears will augment your daily life. IEEE Spectrum 56, 5 (may 2019), 38–43. https://doi.org/10.1109/mspec.2019.8701198

[9]

P Dragicevic. 2015. HCI Statistics without p-values. (2015). https://hal.inria.fr/hal-01162238/

[10]

Javier Pastor Fernando Boronat, Senior, IEEE, Dani Marfil, Mario Montagud. 2017. HbbTV-compliant Platform for Hybrid Media Delivery and Synchronization on Single- and Multi-Device Scenarios. IEEE Transactions on Broadcasting(2017). https://riunet.upv.es/bitstream/handle/10251/102497/IE3_Trans_on_broadcasting_fboronat2017_ID BTS-17-112.pdf?sequence=3

[11]

Matthieu Fradet, Caroline Baillard, Anthony Laurent, Tao Luo, Philippe Robert, Vincent Alleaume, Pierrick Jouet, and Fabien Servant. 2017. MR TV Mozaik: A New Mixed Reality Interactive TV Experience. In Adjunct Proceedings of the 2017 IEEE International Symposium on Mixed and Augmented Reality, ISMAR-Adjunct 2017. https://doi.org/10.1109/ISMAR-Adjunct.2017.53

[12]

Jon Francombe. 2018. Vostok-K Incident: Immersive Audio Drama on Personal Devices. https://www.bbc.co.uk/rd/blog/2018-10-multi-speaker-immersive-audio-metadata

[13]

Jon Francombe and Kristian Hentschel. 2019. Evaluation of an immersive audio experience using questionnaire and interaction data. In International Congress on Acoustics 2019. https://www.bbc.co.uk/rd/publications/whitepaper352

[14]

Jon Francombe, James Woodcock, Richard J. Hughes, Kristian Hentschel, Eloise Whitmore, and Tony Churnside. 2018. Producing Audio Drama Content for an Array of Orchestrated Personal Devices. In Audio Engineering Society Convention 145. http://www.aes.org/e-lib/browse.cfm?elib=19726

[15]

Louise Fryer. 2016. An Introduction to Audio Description. Routledge, Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2016] | Series: Translation Practices Explained. https://doi.org/10.4324/9781315707228

[16]

David Geerts, Evert Van Beek, and Fernanda Chocron Miranda. 2019. Viewers’ visions of the future: Co-creating hyper-personalized and immersive TV and video experiences. In TVX 2019 - Proceedings of the 2019 ACM International Conference on Interactive Experiences for TV and Online Video. ACM Press, New York, New York, USA, 59–69. https://doi.org/10.1145/3317697.3323356

Digital Library

[17]

Samuel Gibbs. 2020. Amazon launches Alexa smart ring, smart glasses and earbuds. https://www.theguardian.com/technology/2019/sep/26/amazon-launches-alexa-smart-ring-smart-glasses-and-earbuds

[18]

David Gómez, Juan A. Núñez, Mario Montagud, and Sergi Fernández. 2018. ImmersiaTV: Enabling customizable and immersive multi-screen TV experiences. In Proceedings of the 9th ACM Multimedia Systems Conference, MMSys 2018. ACM Press, New York, New York, USA, 506–508. https://doi.org/10.1145/3204949.3209620

Digital Library

[19]

Stephen Groening. 2016. ‘No One Likes to Be a Captive Audience’: Headphones and In-Flight Cinema. Film History: An International Journal(2016). https://muse.jhu.edu/article/640056/summary

[20]

Gunnar Harboe, Crysta J. Metcalf, Frank Bentley, Joe Tullio, Noel Massey, and Guy Romano. 2008. Ambient social tv. In Proceeding of the twenty-sixth annual CHI conference on Human factors in computing systems - CHI ’08. ACM Press, New York, New York, USA, 1. https://doi.org/10.1145/1357054.1357056

Digital Library

[21]

Kristian Hentschel and Jon Francombe. 2019. Framework for Web Delivery of Immersive Audio Experiences Using Device Orchestration. In Adjunct Proceedings of ACM TVX 2019. ACM.

[22]

JL Hintze and RD Nelson. 1998. Violin plots: a box plot-density trace synergism. The American Statistician(1998). http://amstat.tandfonline.com/doi/abs/10.1080/00031305.1998.10480559

[23]

Andrew F. Jarosz and Jennifer Wiley. 2014. What Are the Odds? A Practical Guide to Computing and Reporting Bayes Factors. The Journal of Problem Solving(2014). https://doi.org/10.7771/1932-6246.1167

[24]

Robert E. Kass and Adrian E. Raftery. 1995. Bayes Factors. J. Amer. Statist. Assoc. 90, 430 (jun 1995), 773–795. https://doi.org/10.1080/01621459.1995.10476572

[25]

Fahim Kawsar, Chulhong Min, Akhil Mathur, Alessandro Montanari, Utku Günay Acer, and Marc Van den Broeck. 2018. eSense: Open Earable Platform for Human Sensing. In Proceedings of the 16th ACM Conference on Embedded Networked Sensor Systems - SenSys ’18. ACM Press, New York, New York, USA, 371–372. https://doi.org/10.1145/3274783.3275188

Digital Library

[26]

Philipp Mayring. 2014. Qualitative content analysis: Theoretical foundation, basic procedures and software solution. Forum Qualitative Sozialforschung/Forum: Qualitative Social Research (2014).

[27]

Mark McGill, John Williamson, and Stephen A. Brewster. 2015. It Takes Two (To Co-View). In Proceedings of the ACM International Conference on Interactive Experiences for TV and Online Video - TVX ’15. ACM Press, 23–32. https://doi.org/10.1145/2745197.2745199

Digital Library

[28]

Mark McGill, John Williamson, and Stephen A. Brewster. 2015. Who’s the Fairest of Them All. In Proceedings of the ACM International Conference on Interactive Experiences for TV and Online Video - TVX ’15. ACM Press, New York, New York, USA, 83–92. https://doi.org/10.1145/2745197.2745200

Digital Library

[29]

Mark McGill, John H. Williamson, and Stephen Brewster. 2016. Examining The Role of Smart TVs and VR HMDs in Synchronous At-a-Distance Media Consumption. ACM Transactions on Computer-Human Interaction 23, 5 (nov 2016), 1–57. https://doi.org/10.1145/2983530

Digital Library

[30]

Mark McGill, John H. Williamson, and Stephen A. Brewster. 2015. A review of collocated multi-user TV. Personal and Ubiquitous Computing 19, 5-6 (jun 2015), 743–759. https://doi.org/10.1007/s00779-015-0860-1

[31]

Mark McGill, Graham Wilson, David McGookin, and Stephen Brewster. 2020. Acoustic Transparency and the Changing Soundscape of Auditory Mixed Reality. In Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems(CHI ’20). https://doi.org/10.1145/3313831.3376702

Digital Library

[32]

Takashi Mikami, Masataka Nakahara, and Kazutaka Someya. 2016. Compatibility Study of Dolby Atmos Objects’ Spatial Sound Localization Using a Visualization Method. http://www.aes.org/e-lib/online/browse.cfm?elib=18157

[33]

Mike Armstrong. 2016. From Clean Audio to Object Based Broadcasting. BBC Research & Development White PaperWHP 324 (2016). http://downloads.bbc.co.uk/rd/pubs/whp/whp-pdf-files/WHP324.pdf

[34]

Miscellaneous. 2020. Bose AR SDK Overview. https://developer.bose.com/guides/bose-ar/sdk-overview

[35]

Miscellaneous. 2020. FFmpeg - A complete, cross-platform solution to record, convert and stream audio and video. https://www.ffmpeg.org/

[36]

Miscellaneous. 2020. NAudio Audio and MIDI library for.NET. https://github.com/naudio/NAudio

[37]

Mario Montagud, Isaac Fraile, Juan A. Nuñez, and Sergi Fernández. 2018. ImAc: Enabling immersive, accessible and personalized media experiences. In TVX 2018 - Proceedings of the 2018 ACM International Conference on Interactive Experiences for TV and Online Video. ACM Press, New York, New York, USA, 245–250. https://doi.org/10.1145/3210825.3213570

Digital Library

[38]

Richard D. Morey. 2019. Computation of Bayes Factors for Common Designs [R package BayesFactor version 0.9.12-4.2]. cran (2019). https://cran.r-project.org/web/packages/BayesFactor/index.html

[39]

Danielle Navarro. 2018. Learning statistics with R: A tutorial for psychology students and other beginners. (Version 0.6.1). In University of New South Wales. Chapter Chapter 17. https://learningstatisticswithr.com/book/bayes.html

[40]

Timothy Neate, Michael Evans, and Matt Jones. 2017. Enhancing Interaction with Dual-Screen Television Through Display Commonalities. In Proceedings of the 2017 ACM International Conference on Interactive Experiences for TV and Online Video - TVX ’17. ACM Press, New York, New York, USA, 91–103. https://doi.org/10.1145/3077548.3077549

Digital Library

[41]

Timothy Neate, Matt Jones, and Michael Evans. 2017. Cross-device media: a review of second screening and multi-device television. Personal and Ubiquitous Computing 21, 2 (apr 2017), 391–405. https://doi.org/10.1007/s00779-017-1016-2

Digital Library

[42]

Nreal. 2020. Building Mixed Reality for Everyone. https://www.nreal.ai/

[43]

D. Oetting and H. Fuchs. 2013. Advanced clean audio solution: dialogue enhancement. In International Broadcasting Convention (IBC) 2013 Conference. Institution of Engineering and Technology, 1.2–1.2. https://doi.org/10.1049/ibc.2013.0002

[44]

Rita Oliveira, Jorge Ferraz de Abreu, and Ana Margarida Almeida. 2018. Audio Description of Television Programs: A Voluntary Production Approach. Springer, Cham, 150–160. https://doi.org/10.1007/978-3-319-90170-1_11

[45]

Joseph Plazak and Marta Kersten-Oertel. 2018. A survey on the affordances of ‘hearables’. 3, 3 (jul 2018). https://doi.org/10.3390/inventions3030048

[46]

Jussi Rämö and Vesa Välimäki. 2012. Digital Augmented Reality Audio Headset. Journal of Electrical and Computer Engineering 2012 (oct 2012), 1–13. https://doi.org/10.1155/2012/457374

[47]

Red Letter Media. 2019. Director’s Commentaries. https://redlettermedia.bandcamp.com/audio

[48]

Jacob M. Rigby, Sandy J.J. Gould, Duncan P. Brumby, and Anna L. Cox. 2019. Development of a questionnaire to measure immersion in video media: The Film IEQ. In TVX 2019 - Proceedings of the 2019 ACM International Conference on Interactive Experiences for TV and Online Video. https://doi.org/10.1145/3317697.3323361

Digital Library

[49]

RNIB. 2019. Audio description (AD). https://www.rnib.org.uk/information-everyday-living-home-and-leisure-television-radio-and-film/audio-description

[50]

Agnieszka Roginska and Paul Geluso. 2017. Immersive sound: The art and science of binaural and multi-channel audio. 1–364 pages. https://doi.org/10.4324/9781315707525

[51]

Pejman Saeghe, Sarah Clinch, Bruce Weir, Maxine Glancy, Vinoba Vinayagamoorthy, Ollie Pattinson, Stephen Robert Pettifer, and Robert Stevens. 2019. Augmenting Television With Augmented Reality. In Proceedings of the 2019 ACM International Conference on Interactive Experiences for TV and Online Video. https://dl.acm.org/citation.cfm?id=3325129

Digital Library

[52]

Neelima Sailaja, Adrian Gradinar, James Colley, Paul Coulton, Andy Crabtree, Ian Forrester, Lianne Kerlin, and Phil Stenton. 2019. The living room of the future. In TVX 2019 - Proceedings of the 2019 ACM International Conference on Interactive Experiences for TV and Online Video. 95–107. https://doi.org/10.1145/3317697.3323360

Digital Library

[53]

J Saldaña. 2015. The coding manual for qualitative researchers. Sage.

[54]

Nitin Sawhney and Chris Schmandt. 2000. Nomadic Radio: Speech and Audio Interaction for Contextual Messaging in Nomadic Environments. ACM Transactions on Computer-Human Interaction 7, 3(2000), 353–383. https://doi.org/10.1145/355324.355327

Digital Library

[55]

Ben Shirley and Paul Kendrick. 2006. The Clean Audio project: Digital TV as assistive technology. Technology and Disability 18, 1 (2006), 31–41. https://doi.org/10.3233/tad-2006-18105

[56]

Ben Guy Shirley, Melissa Meadows, Fadi Malak, James Stephen Woodcock, and Ash Tidball. 2017. Personalized object-based audio for hearing impaired TV viewers. Journal of the Audio Engineering Society(2017). http://www.aes.org/e-lib/browse.cfm?elib=18562

[57]

Christian Simon, Matteo Torcoli, and Jouni Paulus. 2019. MPEG-H Audio for Improving Accessibility in Broadcasting and Streaming. (sep 2019). arxiv:1909.11549http://arxiv.org/abs/1909.11549

[58]

Y Tang and TJ Cox. 2018. Improving intelligibility prediction under informational masking using an auditory saliency model, In International Conference on Digital Audio Effects. Proceedings of the International Conference on Digital Audio Effects 2018, 113–119. http://usir.salford.ac.uk/id/eprint/47113/

[59]

The Data Visualisation Catalogue. 2019. Density Plot. https://datavizcatalogue.com/methods/density_plot.html

[60]

Matteo Torcoli, Alex Freke-Morin, Jouni Paulus, Christian Simon, and Ben Shirley. 2019. Background ducking to produce esthetically pleasing audio for TV with clear speech. In AES 146th International Convention. http://www.aes.org/e-lib/online/browse.cfm?elib=20308

[61]

Unity Technologies. 2019. Unity Game Engine. https://unity3d.com/

[62]

M. Oskar van Deventer, Michael Probst, and Christoph Ziegler. 2018. Media Synchronisation for Television Services Through HbbTV. In MediaSync. Springer International Publishing, Cham, 505–544. https://doi.org/10.1007/978-3-319-65840-7_18

[63]

Radu-Daniel Vatavu. 2013. There’s a world outside your TV. In Proceedings of the 11th european conference on Interactive TV and video - EuroITV ’13. ACM Press, New York, New York, USA, 143. https://doi.org/10.1145/2465958.2465972

Digital Library

[64]

Vinoba Vinayagamoorthy. 2018. How Users Perceive Delays in Synchronous Companion Screen Experiences - An Exploratory Study. In Proceedings of the 2018 ACM International Conference on Interactive Experiences for TV and Online Video - TVX ’18. ACM Press, New York, New York, USA, 57–68. https://doi.org/10.1145/3210825.3210836

Digital Library

[65]

Vinoba Vinayagamoorthy, Maxine Glancy, Christoph Ziegler, and Richard Schäffer. 2019. Personalising the TV Experience using Augmented Reality An Exploratory Study on Delivering Synchronised Sign Language Interpretation. In Conference on Human Factors in Computing Systems - Proceedings. https://doi.org/10.1145/3290605.3300762

Digital Library

[66]

Vinoba Vinayagamoorthy, Rajiv Ramdhany, and Matt Hammond. 2016. Enabling Frame-Accurate Synchronised Companion Screen Experiences. In Proceedings of the ACM International Conference on Interactive Experiences for TV and Online Video - TVX ’16. ACM Press, New York, New York, USA, 83–92. https://doi.org/10.1145/2932206.2932214

Digital Library

[67]

James Vincent. 2016. Are bone conduction headphones good enough yet?https://www.theverge.com/2016/10/24/13383616/bone-conduction-headphones-best-pair-aftershokz

[68]

Vue. 2020. Meet Vue - Smart Glasses. https://www.enjoyvue.com/

[69]

Jack Wallen. 2015. Earables: The next big thing. https://www.techrepublic.com/article/earables-the-next-big-thing/

[70]

Tim Walton, Michael Evans, David Kirk, and Frank Melchior. 2016. A subjective comparison of discrete surround sound and soundbar technology by using mixed methods. In 140th Audio Engineering Society International Convention 2016, AES 2016. Audio Engineering Society. http://www.aes.org/e-lib/browse.cfm?elib=18290

[71]

Lauren Ward, Matthew Paradis, Ben Shirley, Laura Russon, Robin Moore, and Rhys Davies. 2019. Casualty accessible and enhanced (A&E) audio: Trialling object-based accessible TV audio. In 147th Audio Engineering Society International Convention 2019. http://www.aes.org/e-lib/browse.cfm?conv2=147&ebrief=563

[72]

Lauren A. Ward and Ben G. Shirley. 2019. Personalization in object-based audio for accessibility: A review of advancements for hearing impaired listeners. AES: Journal of the Audio Engineering Society 67, 7-8 (aug 2019), 584–597. https://doi.org/10.17743/jaes.2019.0021

[73]

Christoph Ziegler, Christian Keimel, Rajiv Ramdhany, and Vinoba Vinayagamoorthy. 2017. On time or not on time: A user study on delays in a synchronised companion-screen experience. In TVX 2017 - Proceedings of the 2017 ACM International Conference on Interactive Experiences for TV and Online Video. ACM Press, New York, New York, USA, 105–114. https://doi.org/10.1145/3077548.3077557

Digital Library

[74]

Christoph Ziegler, Richard Schäffer, Vinoba Vinayagamoorthy, Maxine Glancy, Paul Debenham, and Alastair Bruce. 2018. Personalising the TV experience with augmented reality technology: Synchronised sign language interpretation. In TVX 2018 - Proceedings of the 2018 ACM International Conference on Interactive Experiences for TV and Online Video. https://doi.org/10.1145/3210825.3213562

Digital Library

Cited By

Jacobsen RBrewster SSkov MKjeldskov J(2024)Towards a Personal Audio Space in Homes: Investigating Future Sound Management with Personal Audio TechnologiesProceedings of the 2024 ACM International Conference on Interactive Media Experiences10.1145/3639701.3656313(276-293)Online publication date: 7-Jun-2024
https://dl.acm.org/doi/10.1145/3639701.3656313
Geary DHentschel KMurphy D(2024)Evaluating Hearables for Augmenting TV Audio in Shared Viewing EnvironmentsIEEE Communications Magazine10.1109/MCOM.001.240016462:12(48-54)Online publication date: Dec-2024
https://doi.org/10.1109/MCOM.001.2400164
Geary DFrancombe JHentschel KMurphy D(2023)Using design dimensions to develop a multi-device audio experience through workshops and prototypingProceedings of the 18th International Audio Mostly Conference10.1145/3616195.3616199(71-78)Online publication date: 30-Aug-2023
https://dl.acm.org/doi/10.1145/3616195.3616199
Show More Cited By

Recommendations

Augmenting Television With Augmented Reality
TVX '19: Proceedings of the 2019 ACM International Conference on Interactive Experiences for TV and Online Video

This paper explores the effects of adding augmented reality (AR) artefacts to an existing TV programme. A prototype was implemented augmenting a popular nature documentary. Synchronised content was delivered over a Microsoft HoloLens and a TV. Our ...
Comfortable Mobility vs. Attractive Scenery: The Key to Augmenting Narrative Worlds in Outdoor Locative Augmented Reality Storytelling
CHI '24: Proceedings of the 2024 CHI Conference on Human Factors in Computing Systems

We investigate how path context, encompassing both comfort and attractiveness, shapes user experiences in outdoor locative storytelling using Augmented Reality (AR). Addressing a research gap that predominantly concentrates on indoor settings or ...
AR in TV: Design and Evaluation of Mid-Air Gestures for Moderators to Control Augmented Reality Applications in TV
MUM '21: Proceedings of the 20th International Conference on Mobile and Ubiquitous Multimedia

Recent developments in augmented reality for TV productions encouraged broadcasters to enhance interaction with virtual content for moderators. However, traditional interaction methods are considered distracting and not intuitive. To overcome these ...

Comments

Information & Contributors

Information

Published In

cover image ACM Conferences

IMX '20: Proceedings of the 2020 ACM International Conference on Interactive Media Experiences

June 2020

211 pages

ISBN:9781450379762

DOI:10.1145/3391614

Copyright © 2020 ACM.

Permission to make digital or hard copies of all or part of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for components of this work owned by others than the author(s) must be honored. Abstracting with credit is permitted. To copy otherwise, or republish, to post on servers or to redistribute to lists, requires prior specific permission and/or a fee. Request permissions from [email protected].

Sponsors

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 17 June 2020

Permissions

Request permissions for this article.

Request Permissions

Check for updates

Author Tags

Qualifiers

Research-article
Research
Refereed limited

Funding Sources

H2020 European Research Council

Conference

IMX '20

Sponsor:

IMX '20: ACM International Conference on Interactive Media Experiences

June 17 - 19, 2020

Cornella, Barcelona, Spain

Acceptance Rates

Overall Acceptance Rate 69 of 245 submissions, 28%

Upcoming Conference

IMX '25

Sponsor:
sigchi

ACM International Conference on Interactive Media Experiences

June 3 - 6, 2025

Niter?i , Brazil

Contributors

Other Metrics

View Article Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

11
Total Citations
View Citations
296
Total Downloads

Downloads (Last 12 months)33
Downloads (Last 6 weeks)2

Reflects downloads up to 08 Mar 2025

Other Metrics

View Author Metrics

Citations

Cited By

Jacobsen RBrewster SSkov MKjeldskov J(2024)Towards a Personal Audio Space in Homes: Investigating Future Sound Management with Personal Audio TechnologiesProceedings of the 2024 ACM International Conference on Interactive Media Experiences10.1145/3639701.3656313(276-293)Online publication date: 7-Jun-2024
https://dl.acm.org/doi/10.1145/3639701.3656313
Geary DHentschel KMurphy D(2024)Evaluating Hearables for Augmenting TV Audio in Shared Viewing EnvironmentsIEEE Communications Magazine10.1109/MCOM.001.240016462:12(48-54)Online publication date: Dec-2024
https://doi.org/10.1109/MCOM.001.2400164
Geary DFrancombe JHentschel KMurphy D(2023)Using design dimensions to develop a multi-device audio experience through workshops and prototypingProceedings of the 18th International Audio Mostly Conference10.1145/3616195.3616199(71-78)Online publication date: 30-Aug-2023
https://dl.acm.org/doi/10.1145/3616195.3616199
Liu FNarsipur AKemeklis ASong LLikamwa R(2023)Spatial Audio Empowered Smart speakers with Xblock - A Pose-Adaptive Crosstalk Cancellation Algorithm for Free-moving UsersProceedings of Cyber-Physical Systems and Internet of Things Week 202310.1145/3576914.3589563(285-291)Online publication date: 9-May-2023
https://dl.acm.org/doi/10.1145/3576914.3589563
Nevsky ANeate TSimperl EVatavu R(2023)Accessibility Research in Digital Audiovisual Media: What Has Been Achieved and What Should Be Done Next?Proceedings of the 2023 ACM International Conference on Interactive Media Experiences10.1145/3573381.3596159(94-114)Online publication date: 12-Jun-2023
https://dl.acm.org/doi/10.1145/3573381.3596159
Geary DFrancombe JHentschel KMurphy D(2022)Design Dimensions of Co-Located Multi-Device Audio ExperiencesApplied Sciences10.3390/app1215751212:15(7512)Online publication date: 26-Jul-2022
https://doi.org/10.3390/app12157512
Johansen Svan Berkel NFritsch J(2022)Characterising Soundscape Research in Human-Computer InteractionProceedings of the 2022 ACM Designing Interactive Systems Conference10.1145/3532106.3533458(1394-1417)Online publication date: 13-Jun-2022
https://dl.acm.org/doi/10.1145/3532106.3533458
Choi YKim JHong J(2022)Immersion Measurement in Watching Videos Using Eye-tracking DataIEEE Transactions on Affective Computing10.1109/TAFFC.2022.320931113:4(1759-1770)Online publication date: 1-Oct-2022
https://doi.org/10.1109/TAFFC.2022.3209311
Vatavu R(2021)Accessibility of Interactive Television and Media Experiences: Users with Disabilities Have Been Little Voiced at IMX and TVXProceedings of the 2021 ACM International Conference on Interactive Media Experiences10.1145/3452918.3465485(218-222)Online publication date: 21-Jun-2021
https://dl.acm.org/doi/10.1145/3452918.3465485
Popovici IVatavu RFeng PWu W(2021)AR-TV and AR-Diànshì: Cultural Differences in Users’ Preferences for Augmented Reality TelevisionProceedings of the 2021 ACM International Conference on Interactive Media Experiences10.1145/3452918.3458801(50-60)Online publication date: 21-Jun-2021
https://dl.acm.org/doi/10.1145/3452918.3458801
Show More Cited By

View Options

Login options

Check if you have access through your login credentials or your institution to get full access on this article.

Full Access

Get this Publication

View options

PDF

View or Download as a PDF file.

eReader

View online with eReader.

HTML Format

View this article in HTML Format.

Figures

Tables

Media

View Table of Conten