Marc-André Weibezahn
ABSTRACT
This paper describes to approaches to develop simple systems for expressive bodily interaction with music, without prior musical knowledge on the user's part. It discusses two almost oppositional models: 1. Modifying a preexisting recording through spatial articulation, and 2. Rule based ad-hoc composition of a musical piece of indefinite length, based on precomposed chord progression(s). The approaches differ both in interaction models as well as in musical feedback.
- Antonio Camurri, Gualtiero Volpe, Stefano Piana, Maurizio Mancini, Radoslaw Niewiadomski, Nicola Ferrari, Corrado Canepa, 2016. The Dancer in the Eye: Towards a Multi-Layered Computational Framework of Qualities in Movement. In Proceedings of the 3rd International Symposium on Movement and Computing, 1--7. DOI: https://doi.org/10.1145/2948910.2948927 Google Scholar
Digital Library
- Apple Inc., 2018. Bringing People into AR. Retrieved July 18, 2020 from https://developer.apple.com/videos/play/wwdc2019/607CGoogle Scholar
Index Terms
- Structuring Multi-Layered Musical Feedback for Digital Bodily Interaction: Two Approaches to Multi-layered Interactive Musical Feedback Systems
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