The dramaturgy of Immersion. Challenges and Powers of Network Technology for the Performing Arts: Dramaturgia de imersão. Desafios e potências da tecnologia de rede para as artes da cena
Article No.: 48, Pages 1 - 5
Abstract
The context of social isolation promoted a repositioning of the performing arts in terms of the aspect of presence as a definition of the art du vivant. Confined and having network technologies as the only allowed social space, it was necessary to create new possibilities for performing arts - dance, theater, performance, etc. It is questioned how these languages are inserted in the videoconference systems. They are not using the potential for interaction and immersion that the advent of the internet has provided. The use of the network as a place for displaying a product ends up disregarding aspects of the effect of the presence existing in the art of living (art du vivant). Immersion dramaturgy is defined as a format created by the articulation between performers, audiences and technology that seeks to guarantee technological mediation whose process challenges new corporealities, while - and precisely for that reason - promoting a greater relationship of interaction and immersion.
Resumo. O contexto do isolamento social promoveu um reposicionamento das artes da cena quanto ao aspecto da presença como definição para a arte do vivo. Confinados e tendo as tecnologias de rede como único espaço social permitido, foi necessário criar novas possibilidades para a apresentação das artes cênicas - dança, teatro, performance etc. Questiona-se a forma como essas linguagens são colocadas nos sistemas de videoconferência que acabam não utilizando o potencial de interação e imersão que o advento da internet propiciou. O uso da rede como um local para a exibição de um produto acaba por desconsiderar aspectos do efeito da presença existente na arte do vivo (art du vivant). A Dramaturgia de Imersão é indicada como um formato criado pela articulação entre performers, público e tecnologia que busca garantir a mediação tecnológica cujo processo desafia novas corporalidades, ao mesmo tempo que - e justamente por isso - promove uma relação maior de interação e imersão.
References
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Campos, H. Da Tradução como Criação e como Crítica. In: Metalinguagem e outras metas. São Paulo: Perspectiva, 2004.
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Féral, J. How to define presence effects. 2012 In: Archaeologies of Presence. Art, performance and the persistence of being. Ed. Giannachi, G., Kaye, N., Shanks, M. New York: Routledge.
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Santana, 2015. (org.) REVISTA ELETRÔNICA MAPA D2 - MAPA E PROGRAMA DE ARTES EM DANÇA (E PERFORMANCE) DIGITAL, V2, N 2. Disponível: www.mapad2.ufba.br.
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Santana, I. 2020. Dança com mediação tecnológica: uma poética inevitavelmente comparilhada. In: Dança sob o signo do múltiplo. Org. Lúcia Santaella, Everson Motta. Barueiri, SP: Estação das Letras e Cores, 2020. pp. 27-40.
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- The dramaturgy of Immersion. Challenges and Powers of Network Technology for the Performing Arts: Dramaturgia de imersão. Desafios e potências da tecnologia de rede para as artes da cena
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October 2021
761 pages
ISBN:9781450384209
DOI:10.1145/3483529
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Association for Computing Machinery
New York, NY, United States
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Published: 20 February 2022
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ARTECH 2021
ARTECH 2021: 10th International Conference on Digital and Interactive Arts
October 13 - 15, 2021
Aveiro, Portugal, Portugal
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