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The writing expanded by gesture: The Design and Art's approaches in contact with Deaf culture and sign languages

Published: 20 February 2022 Publication History

Abstract

Our essay considers the relevance of language studies to the theory and practice of Visual Design and art. The first section discusses the relationship between Design and Art when technologies exchange the utility notion to poetics meanings. Then we reflect on the occidental language and writing culture by many contributions from Deaf culture also Brazilian Sign Language (Libras). This approach belongs to the research group Imagem(i)matéria, which has developed since 2017 many analogical and technological artifacts considering the wealth of observing cultural-linguistic differences and similarities on the hearing and deaf people. Supported by Gilles Deleuze, Roland Barthes, Jacques Derrida, Oliver Sacks, Anne Sauvagnargues, and examining Christine Sun Kim works.

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Ricardo Barros, 2016. O Signwriting como recurso para registro de sinais aclimatados no contexto educacional. Revista Virtual de Cultura Surda Edição No 19. Petrópolis: Arara Azul. (Setembro de 2016)
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Roland Barthes, 1990. O óbvio e o obtuso. Rio de Janeiro: Nova Fronteira.
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H-Dirksen Bauman, 2008. Listening to Phonocentrism with Deaf Eyes: Derrida's Mute Philosophy of (Sign) Language. In: Essays in Philosophy: Vol. 9: Iss. 1
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H- Dirksen Bauman,. L., & Joseph J. Murray (Eds.), 2014. Deaf Gain: Raising the Stakes for Human Diversity. Minneapolis, MN: University of Minnesota Press
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Centre For Art Tapes, 2021. Sound Etiquette: Sonia Boyce MBE, Christine Sun Kim, Benny Nemerofsky Ramsay. in: https://www.cfat.ca/
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          cover image ACM Other conferences
          ARTECH '21: Proceedings of the 10th International Conference on Digital and Interactive Arts
          October 2021
          761 pages
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          Published: 20 February 2022

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          Author Tags

          1. Deafness
          2. Poetics
          3. Sign Language
          4. Visual design
          5. digital technology

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