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Poetics in hybrid art: Artistic practices, collaborative exchanges

Published: 20 February 2022 Publication History

Abstract

This paper comments the process of creating a hybrid art installation, whose version, with the creative coding and interactive video, resulted in the artwork Tela Transeunte (2020). Therefore, it presents a brief reflection about the new media art and the hybrid art. Likewise, stands out the interdisciplinary, collaborative and shared mode of investigation, in addition to the use of open processes and codes, repositories and databases. Practices that operate between art, science and technology, also contributing to rupture the institutionalized systems and for reflection on artistic production.

References

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Néstor Garcia Cancline. 2003. Culturas Híbridas: Estratégias Para Entrar e Sair da Modernidade (4a edição ed.). Edusp, São Paulo.
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Néstor García Canclini. 2009. Refazendo passaportes: o pensamento visual no debate sobre multiculturalismo. Arte Ens. - Rev. Programa Pós-grad. Em Artes Visuais- EBA UFRJ 18, (2009), 156–165.
[3]
Edmond.Couchot, 2003. A tecnologia na arte: da fotografia à realidade virtual. Porto Alegre: Editora da UFRGS.
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Andrew Donovan, Sarah Miller, and Elaine Lally. 2006. New media arts scoping study: report to the Australia Council for the arts. Australia Council, Australia. Retrieved July 16, 2021 from http://web.archive.org/web/20140212041213/https://www.australiacouncil.gov.au/__data/assets/pdf_file/0012/34104/New_Media_Scoping_Study_-_FINAL.pdf/
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Jerrold Levinson. 1984. Hybrid Art Forms. J. Aesthetic Educ. 18, 4 (1984), 5–13.
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Arlindo Machado. 2002. Arte e Mí­dia: aproximações e distinções. Galáxia Rev. Programa Pós-grad. Em Comun. E Semiótica 4 (2002). Retrieved July 16, 2021 from https://revistas.pucsp.br/index.php/galaxia/article/view/1289
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Lev Manovich. 2007. Understanding Hybrid Media. Retrieved July 16, 2021 from http://manovich.net/content/04-projects/055-understanding-hybrid-media/52_article_2007.pdf
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Valerie Anak Michael and Khairul Aidil Azlin Abd Rahman. 2016. The artisan practices of integrating hybrid art knowledge. In Proceeding 2th International Conference on creative media, design & technology (REKA 2016), 1–11.
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Sandra Rey. 2011. Operando por cruzamentos: processos híbridos na arte atua. In Anais do #10.ART Encontro Internacional de Arte e Tecnologia, Brasilia.
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Cecília Almeida Salles. 2004. Gesto inacabado: processo de criação artística (4a ed.). Annablume, São Paulo.
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Cecilia Almeida Salles. 2017. Da crítica genética à crítica de processo: uma linha de pesquisa em expansão. Signum Estud. Ling. 20, 2 (August 2017), 41–52.
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Lucia Santaella. 2008. A ecologia pluralista das mídias locativas. Rev. FAMECOS Mídia Cult. E Tecnol. 37 (2008), 20–24.
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Milton Sogabe. 2011. Instalações interativas mediadas pela tecnologia digital: análise e produção. ARS São Paulo 9, 18 (2011), 60–73.

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          cover image ACM Other conferences
          ARTECH '21: Proceedings of the 10th International Conference on Digital and Interactive Arts
          October 2021
          761 pages
          Publication rights licensed to ACM. ACM acknowledges that this contribution was authored or co-authored by an employee, contractor or affiliate of a national government. As such, the Government retains a nonexclusive, royalty-free right to publish or reproduce this article, or to allow others to do so, for Government purposes only.

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          New York, NY, United States

          Publication History

          Published: 20 February 2022

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          Author Tags

          1. Art and technology
          2. Creative coding
          3. Hybrid art
          4. Installation art

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          Overall Acceptance Rate 128 of 238 submissions, 54%

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