ABSTRACT
Inspired by Einstein’s special theory of relativity, Sobre a eletrodinâmica dos corpos de trabalho (On the Electrodynamics of Working Bodies) is a stereophonic, fixed-media video artwork presenting a temporally and spatially distorted perspective on a factory set in natural surroundings. It portrays the work of the facility as it echoes off the landscape in compressed time, frozen time, and smeared timelines by modeling sonic mirrors moving at relativistic speeds. It is a reflection on the efforts of man-made forces, the persistence of natural forces over time, and the interfaces between them.
- Albert Einstein. 1905. Zur Elektrodynamik bewegter Körper. Annalen der Physik 322, 10 (1905), 891–921. https://doi.org/10.1002/andp.19053221004Google ScholarCross Ref
- Albert Einstein. 1979. Autobiographical Notes. Open Court.Google Scholar
- Nely Ferreira. 2016. NODAR.00473: Coutos de Viseu—Paisagem Audiovisual da Fábrica de Betão inserida na Pedreira Maljoga em Dade. Arquivo Digital Binaural Nodar. Retrieved August 26, 2021 from https://www.archive.binauralmedia.org/portfolio-items/coutos-de-viseu-paisagem-audiovisual-da-fabrica-de-betao-inserida-na-pedreira-maljoga-em-dade/Google Scholar
- Tony Hey and Patrick Walters. 1997. Einstein’s Mirror. Cambridge University Press. https://doi.org/10.1017/CBO9781139236942Google ScholarCross Ref
- Jeffrey M. Morris. 2008. Embracing a Mediat[is]ed Modernity: An Approach to Exploring Humanity in Posthuman Music. Performance Paradigm 4, May (2008). https://performanceparadigm.net/index.php/journal/article/viewFile/54/55Google Scholar
- Katharine Norman. 1996. People Underground. In London. NMC Recordings, NMC D034. Audio compact disc.Google Scholar
- R. Murray Schafer. 1969. The New Soundscape: A Handbook for the Modern Music Teacher. Associated Music Publishers.Google Scholar
- Hildegard Westerkamp. 1992. Beneath the Forest Floor. Musical composition.Google Scholar
Index Terms
- On the Electrodynamics of Working Bodies: Sobre a eletrodinâmica dos corpos de trabalho
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