skip to main content
10.1145/3483529.3483788acmotherconferencesArticle/Chapter ViewAbstractPublication PagesartechConference Proceedingsconference-collections
research-article
Open access

Represent(ação) do corpo feminino: mitologias

Published: 20 February 2022 Publication History

Abstract

The multimedia performance “Represent(action) of the female body: mythologies” develops from the relationship between the female body in action and the image (and moving images), as well as the study of consciousness and spirituality of the performative body of myth and ritual — where video plays a preponderant role in the construction of narratives of actions.
It results from an ongoing theoretical/practical research about transpersonal body, as a receptacle for the experience of the numinous and archetypes, for the representation of the feminine spiritual universe, in the context of contemporary art. Namely, the crossing of the performative body, with the image (video in real time) and digital technology, for the creation of a new iconography of the feminine. With implications for a more expanded notion od represent(action) of the body and Painting; and how new technologies permeate female empowerment. We will try to demonstrate how these new devices can contribute to a deeper experience of the symbolic dimension and the symbiosis between Art, Technology and Spirituality.
RESUMO
A performance multimédia “Represent(ação) do corpo feminino: mitologias” desenvolve-se a partir da relação entre o corpo feminino em ação e a imagem (e imagens em movimento), bem como, do estudo da consciência e da espiritualidade do corpo performativo do mito e do ritual — onde o vídeo tem um papel preponderante na construção das narrativas das ações.
Resulta de uma pesquisa teórico/prática em curso, sobre o corpo transpessoal, como recetáculo da experiência do numinoso e dos arquétipos, para a represent(ação) do universo espiritual feminino, no contexto da arte contemporânea. Nomeadamente, do cruzamento do corpo performativo, com a imagem (vídeo em tempo real) e a tecnologia digital, para a criação de uma nova iconografia do feminino. Com implicações numa noção mais expandida de represent(ação) do corpo e da Pintura; e de como as novas tecnologias permeiam o empoderamento feminino. Procuraremos demonstrar como estes novos dispositivos podem contribuir para uma experiência mais profunda da dimensão simbólica e para a simbiose entre Arte, Tecnologia e Espiritualidade.

References

[1]
Álvarez-Reyes, Juan Antonio. 2003. No todo es documental. Apud Monocanal. Madrid, Museo Reima Sofia, in LLÁMALO PERFORMANCE! HISTORIA DISCIPLINA Y RECEPCIÓN, Vol. 4.ª edição, Madrid: Editora Brumaria. 75
[2]
Lipsey, Roger. 1988. The Spiritual In Twentieth-Century Art. Dover Publications, Inc. Mineola, New York. 7
[3]
Schechner, Richard. 2006. Performance Studies, An Introduction. Nova Iorque: Editora Routledge/Taylor &Francis. 34
[4]
Gablik, Suzi. The Reenchantment of Art. A new movement in art: connective and responsible. In Kagan, Sacha. Art and Sustainability. Connecting Patterns for a Culture of Complexity. 2011. Wetzlar, Alemanha: Editora Bielefeld: transcript Verlag. 311
[5]
Kandinsky, Wassily. 2002. Do espiritual na Arte. Editora Publicações Dom Quixote, Lda., 5a edição, Lisboa. 73
[6]
Campbell, Joseph e Moyers, Bill. 2020. O poder dos Mitos. Alfragilde: Editora Lua de Papel. 46
[7]
Bolen, Jean Shinoda. 2020. Las diosas de cada mujer. Barcelona: Penguin Random House Grupo Editorial. 19

Comments

Information & Contributors

Information

Published In

cover image ACM Other conferences
ARTECH '21: Proceedings of the 10th International Conference on Digital and Interactive Arts
October 2021
761 pages
Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage and that copies bear this notice and the full citation on the first page. Copyrights for third-party components of this work must be honored. For all other uses, contact the Owner/Author.

Publisher

Association for Computing Machinery

New York, NY, United States

Publication History

Published: 20 February 2022

Check for updates

Author Tags

  1. Body
  2. Female
  3. Image/Video
  4. Performance/Real-Time
  5. Spirituality

Qualifiers

  • Research-article
  • Research
  • Refereed limited

Conference

ARTECH 2021

Acceptance Rates

Overall Acceptance Rate 128 of 238 submissions, 54%

Contributors

Other Metrics

Bibliometrics & Citations

Bibliometrics

Article Metrics

  • 0
    Total Citations
  • 239
    Total Downloads
  • Downloads (Last 12 months)170
  • Downloads (Last 6 weeks)17
Reflects downloads up to 02 Mar 2025

Other Metrics

Citations

View Options

View options

PDF

View or Download as a PDF file.

PDF

eReader

View online with eReader.

eReader

HTML Format

View this article in HTML Format.

HTML Format

Login options

Figures

Tables

Media

Share

Share

Share this Publication link

Share on social media