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Represent(ação) do corpo feminino: mitologias

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Published:20 February 2022Publication History

ABSTRACT

The multimedia performance “Represent(action) of the female body: mythologies” develops from the relationship between the female body in action and the image (and moving images), as well as the study of consciousness and spirituality of the performative body of myth and ritual — where video plays a preponderant role in the construction of narratives of actions.

It results from an ongoing theoretical/practical research about transpersonal body, as a receptacle for the experience of the numinous and archetypes, for the representation of the feminine spiritual universe, in the context of contemporary art. Namely, the crossing of the performative body, with the image (video in real time) and digital technology, for the creation of a new iconography of the feminine. With implications for a more expanded notion od represent(action) of the body and Painting; and how new technologies permeate female empowerment. We will try to demonstrate how these new devices can contribute to a deeper experience of the symbolic dimension and the symbiosis between Art, Technology and Spirituality.

RESUMO

A performance multimédia “Represent(ação) do corpo feminino: mitologias” desenvolve-se a partir da relação entre o corpo feminino em ação e a imagem (e imagens em movimento), bem como, do estudo da consciência e da espiritualidade do corpo performativo do mito e do ritual — onde o vídeo tem um papel preponderante na construção das narrativas das ações.

Resulta de uma pesquisa teórico/prática em curso, sobre o corpo transpessoal, como recetáculo da experiência do numinoso e dos arquétipos, para a represent(ação) do universo espiritual feminino, no contexto da arte contemporânea. Nomeadamente, do cruzamento do corpo performativo, com a imagem (vídeo em tempo real) e a tecnologia digital, para a criação de uma nova iconografia do feminino. Com implicações numa noção mais expandida de represent(ação) do corpo e da Pintura; e de como as novas tecnologias permeiam o empoderamento feminino. Procuraremos demonstrar como estes novos dispositivos podem contribuir para uma experiência mais profunda da dimensão simbólica e para a simbiose entre Arte, Tecnologia e Espiritualidade.

References

  1. Álvarez-Reyes, Juan Antonio. 2003. No todo es documental. Apud Monocanal. Madrid, Museo Reima Sofia, in LLÁMALO PERFORMANCE! HISTORIA DISCIPLINA Y RECEPCIÓN, Vol. 4.ª edição, Madrid: Editora Brumaria. 75Google ScholarGoogle Scholar
  2. Lipsey, Roger. 1988. The Spiritual In Twentieth-Century Art. Dover Publications, Inc. Mineola, New York. 7Google ScholarGoogle Scholar
  3. Schechner, Richard. 2006. Performance Studies, An Introduction. Nova Iorque: Editora Routledge/Taylor &Francis. 34Google ScholarGoogle Scholar
  4. Gablik, Suzi. The Reenchantment of Art. A new movement in art: connective and responsible. In Kagan, Sacha. Art and Sustainability. Connecting Patterns for a Culture of Complexity. 2011. Wetzlar, Alemanha: Editora Bielefeld: transcript Verlag. 311Google ScholarGoogle Scholar
  5. Kandinsky, Wassily. 2002. Do espiritual na Arte. Editora Publicações Dom Quixote, Lda., 5a edição, Lisboa. 73Google ScholarGoogle Scholar
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  7. Bolen, Jean Shinoda. 2020. Las diosas de cada mujer. Barcelona: Penguin Random House Grupo Editorial. 19Google ScholarGoogle Scholar

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            ARTECH '21: Proceedings of the 10th International Conference on Digital and Interactive Arts
            October 2021
            761 pages

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            Publication History

            • Published: 20 February 2022

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