Maria Manuela Lopes
ABSTRACT
Hybrid Art: fraught relationships with nature and technology is a series of installations produced in 2021 for the “Hybrid Culture” exhibitions (3 different ones in distinct locations as part of “Viver ao Vivo” project) and for the “Contingency” exhibition (ARTECH 2021).
These installations arise from the focus on images produced in scientific laboratories and my ethnographic exploration of the relation between what I considered to be different virtual archival spaces (i.e. the natural environment, the studio, the art gallery, the laboratory, my body). Its main aim was to establish a critical link between the scientific images and practices and visual arts, in a highly technical society where the experience of nature is somehow mediated, as well as memories, and there is a sense of technically constructed nature.
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- Maria Manuela Lopes. 2016. Body Storytelling and the Performance of Memory: Arts-Based-Research and Human Enhancement. In N. Streitz and P. Markopoulos (Eds.) Distributed, Ambient and Pervasive Interactions. Springer International Publishing Switzerland. DAPI 2016, LNCS 9749, pp. 257–269, 2016. DOI:https://doi.org/10.1007/978-3-319-39862-4_24Google ScholarCross Ref
- Maria Manuela Lopes. 2015. Inside/Out: Looking Back into the Future. In Rachel Zuanon (Ed) Projective Processes and Neuroscience in Art and Design. Advances in Media, Entertainment, and the Arts (AMEA) Book Series, IGI Global, pp. 15-39. ISBN-13: 978-1522505105Google Scholar
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- Maria Manuela Lopes. 2018. Extending the Reach of Memory through Skin Expression. DAT Journal, 3, Nº 1, pp. 49-64. DOI:https://doi.org/10.29147/dat.v3i1.71Google ScholarCross Ref
Index Terms
- Hybrid Art: fraught relationships with nature and technology
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